Hey, what in the world? It’s 2020! This is the dawn of a new decade, you realize that? New year, new decade, leap year, election year, start of solar cycle 25. (Actually, solar cycle 25 began on Christmas Eve, 2019, when two reversed-polarity sunspots broke the deep solar minimum we’ve had for the second cycle in a row, but anyway.)
It all sounds kind of momentous to me. I’m excited about it. I’ve got some plans of my own laid out for this year. Hopefully you’ll get at least two more Dronefall books before we come back around. It’s bound to be an interesting year for US and world affairs, which might get some of you in the mood to read some futuristic dystopian stuff, and is sure to get me in the mood to write it. We’ll be advancing toward the climax of the series which I promise will be a good solid payoff. Actually, there are plenty of twists and turns even in book four, Nightstare, which is already getting along quite well.
In a different vein, I have plans for a standalone novel that I want to release in the fall. I don’t know about you, but I know fall is my favorite season. I’ve always wanted to write a book that really captured the essence and atmosphere of Autumn. I’ll tell you more about it later.
I’m also going to get to work on writing poetry and some short-stories again. We’ll see what of that I end up releasing. I want to let you guys read some of my short works, whether they be published individually on Kindle, or in a collection. I’ll keep you updated on that.
And boy, have I got other plans too, but guess what? They’re secrets! For now. I’ve given myself a bit of a break on my reading challenge this year—pared it down to 25 books I’m going to expect of myself—because I want to give myself plenty of creative space.
Happy 2020 everybody. A new era of opportunity is opening up for us all. It’s time to revel in possibilities, dream all the dreams and most of all, recognize the future as an adventure with infinite hope for everyone who’s put themselves on the right side of the author of eternity and the giver of all hope. May as well face it fearlessly, because here we go.
Author: A.L. Buehrer
Merry Christmas!
Christmas is practically here! I hope your season has been at least as merry and bright as mine, so far. I’m still rejoicing over the release of Dronefall Three, which is now available in paperback as well. Doesn’t look like I’ll be having a white Christmas this year, but I suppose you can win them all, now, can you?
I’ve had a great year here on Stardrift Nights. I’ve broken my record for amount of posts in a year since I started. And I did my first ever series Writing for Christ. I hope to become even more active here come 2020. Watch me break the record again!
I published three books this year. First my poetry collection Songs from the Small Hours, then Dronefall Two, Lightwaste, and finally Dronefall Three, Rainchill. I can see from my now slightly depressing post at the beginning of the year that I actually intended to finish the Dronefall series in 2019. Oops. But I’m actually glad I’m still working on it. And in January, I thought it was going to be a quintet. Ha! Now there are three more books on the horizon instead of two. And I’m happy about that.
I didn’t quite make my ambitious reading goals, either, but I did get some good reading done this year. I checked off some of those classics I’ve been wanting to get to for a long time: To Kill a Mockingbird, The Diary of Ann Frank, The Great Gatsby…. I also tried some popular YA in the form of the very hyped Hunger Games Trilogy. (Yeah, I actually hadn’t read it until this year.) That wasn’t too bad. I should do a post reviewing that trilogy in the future.
My favorite fiction of the year was definitely The Hound of the Baskervilles, by A. Conan Doyle. My favorite non-fiction…Creating Character Arcs by K. M. Weiland was great. I also really enjoyed Rocket Men by Craig Nelson which I read in honor of Apollo 11’s 50th anniversary this summer.
The thing to remember when looking back on your New Years goals and resolutions is that priorities change over time…sometimes over a very short time, but certainly over the course of a year. I’m actually pretty pleased with how 2019 turned out. And I’m very excited to see what 2020 has in store.
So, have a ridiculously merry Christmas. Stare at your tree while drinking some peppermint hot chocolate with whipped cream as well as marshmallows. Go ahead and get that present you know they’ll be crazy about, even if it’s a little over the top. This is Christmas we’re talking here. Put up all the lights you can get your hands on—if half of them still work, you can still use it. Blast Trans-Siberian Orchestra, or whatever your preference may be and have some fun, because God sent his Son to restore joy to the world. Pass it on.
Rainchill Is Available on Kindle!
News at last! Today I got the email I’ve been anticipating literally since Spring—the email telling me Dronefall Three, Rainchill, is available to the reading public.
Now, it’s still just the ebook right now, the paperback will be fast on its heels. But for those of you who can’t wait you can go get the eBook right now. It’s 99c. And guess what? So are the first two books, so no matter what level you’ve attained in your Dronefall readership adventure, you have no reason not to jump in now and take advantage of the excitement.
Guys, you have no idea how excited I am to be releasing Rainchill. I completed the first draft last year as my NaNoWriMo project, and I knew, even then that I had something uniquely thrilling to share. I know I keep saying this, but Rainchill is my favorite Dronefall book yet. I’m not saying it has to be yours, but I think you’ll be able to tell I had a great time writing this book, and I hope some of the enjoyment will catch.
Rainchill is a particularly suspenseful addition to the series. The Enclave finds themselves on the trail of their first killer robot—a monstrous mechanical hound with electric jaws. There are some twists and exciting reveals, and all while the tension between the church of 3.5 and the secret criminal underworld that protects them without their knowing continues to grow. I won’t give anything away! Just trust me, this one is worth the first two. When you hit Rainchill, you’re in.
So, run and get it. Give yourself an early Christmas present. Or, cozy up and start the series from book one. You’ll be snowed-in before you know it, and we all know that mean God is telling you to quit stressing and read books.
Get Book One, Dronefall.
Get Dronefall Two, Lightwaste.
GET DRONEFALL THREE, RAINCHILL! (sorry for yelling.)
Good immersive writing is nothing short of pure magic. To be able to conjure up bold tactile images and surround your reader with your story in stereo—that’s what takes good writing to an unforgettable level.
But how do you do it?
Details, Details.
I know you get a lot of modern writing gurus warning against too many details. We have a lot of sparse, un-atmospheric, writing out there as a result of people taking them a little too literally. For the most part, you actually do want details in your writing. Details are important for characterization, building a setting, creating suspense, evoking emotions, foreshadowing and hinting, etc. Just be careful with your timing and try to incorporate them into your beats. Don’t be afraid of them. If they really do slow you down your story, you’ll probably be able to tell when you read through it. Only cut what actually needs cut.
Remember who you are.
That is, stay in your chosen point of view character’s mind. Staying focused with your point of view is a major help in keeping your reader in the scene. If you limit yourself to showing the things that your point of view character sees, feels, hears, and thinks, you’ll have a good start to knowing what details will actually help rather than harm the immersive quality of your story.
Keep moving.
One thing to be aware of is long exchanges of dialogue without any action beats. I’ve found it’s a good general rule to not let your characters sit around and converse—that is, avoid the Counsel of Elrond. Even if you have a dialogue-based scene, try giving your characters something physical to do, even if it’s just walking down a street. I don’t really know why this works so well, but it does. My dialogue becomes much more natural and interesting if my characters are doing something—anything—besides just talking to each other’s faces.
Stay grounded.
Don’t forget your setting at any point. Every scene happens in a very specific physical environment. It’s a certain time of day, in a particular place, with particular lighting and conditions. Keep your characters interacting with it. If it’s a hot day, this will affect what your characters do—how long they can keep running, how many times they pick up their water bottle, probably their tolerance for frustrating tasks. If it’s dark, remember they won’t be able to read subtle facial expressions. (I’ve definitely made this mistake.) These considerations will help your reader remember where they are, and stay there in their minds.
Those are my tips. Writing immersive scenes takes practice, and I’m still learning. But I hope you can improve your own writing by applying some of the tricks I’ve listed here.
Writing Challenge:
Find a scene in your current WIP that feels boring and flat. Take everything out but the basic action and the dialogue and re-write it. If there’s hardly any action, give your readers something to do. You could also experiment placing the same action in a completely different setting. Don’t hold back on details. You can trim them when you’re finished writing the scene. Compare the two scenes. Did it help?
Happy Thanksgiving!
Then Autumn Took Hold…
I’ve got to admit it. I really just write what I want to write. There’s a lot of discussion out there about exactly where Christian authors should draw the line in content. There’s a lot of disagreement. I’m not going to give you a do/don’t list for this. Instead, I wanted to focus on the attitudes and reasons we include some things and omit others.
I don’t think there’s a clear-cut universal answer to this question. So much depends on presentation and context and how well the author can pull it off. But most of all, your reasons for writing certain things into your story is what makes the difference. Here’s where I try not to call it on other authors I read, but sometimes, as a reader, it feels distinctly like the author is just trying to shock, or imitate some popular author’s style, or make their writing “more relevant.”
I think most authors, even non-Christian authors, agree that when it comes to content, you’ve got to draw the line somewhere. A lot of readers don’t appreciate graphic gore and gratuitous slashing throughout their reading material. Most humans have a certain threshold for witnessing violence, which is a good thing and should be respected. Pushing this threshold too much is just going to contribute to the amount of trauma and desensitization in the world, which I don’t think is something authors should be doing.
Apparently, a lot of authors, even YA authors, have a little trouble knowing when to stop on sexual content. This is something I don’t expect to see at all in Christian fiction—but it still happens. Why people? There are certain things that basically never contribute anything to the story, and nobody should ever have to watch. So, can we not?
Swearing is one of the many items on my personal List of Things That Are Stupid and Unnecessary. It isn’t that I haven’t heard every possible variation of the F word in real life. I have. And I still think it’s obnoxious and rude. And I tend to expect a certain amount of swearing from secular media. But I have slightly higher standards for Christian writing. Use profanity in your Christian novel and you’ll earn an instant eye-roll from me. Why? Because you don’t need it and you know it. It is not hard to exclude, and contrary to what some might try to tell you, you will never hurt your art by leaving it out. Do it right, and nobody will ever miss it.
But I’ve ranted enough. Let’s get to the bullet-points.
- Let’s face it, it’s your story, you alone control the content. Don’t let yourself make the excuse that your story, your characters, or your genre force you to write certain things. You literally have control over every letter that goes into your book. It’s a whole universe at your command. You can manipulate every detail to your liking. You never have to write anything that goes against your conscience. You’re a creative genius, you can find a skillful way to avoid it, and make your book even better by doing so.
- You have your own mission. Imitating some other author will never win readers’ favor. If you think you need to include certain things in order to write a masterpiece “in the tradition of” some big-name author, you’re missing the point. God made you unique, and your writing should reflect that. Be true to yourself in your art.
- You are not restricted by the same constraints as a non-Christian author. Something that I think we de-emphasize too often is that Christians are actually freer than the average Joe. We get to write clean fiction. We are not under the pressure that mainstream authors are. No Christian should ever have to write profanity compulsively. You do what you want. Your audience is going to root for you. He’s not going to one-star your efforts to do what’s right. He’s cool like that.
- Here’s a mental trick: Think about this. For every gross detail you choose to include in your fiction, there is some better author writing deeper, cooler, more popular books who didn’t include that. Clean content is an advantage. If you forgo it, you’re denying yourself that advantage. Do you really want to do that?
The fact is, your book will never please everybody. There will be people getting offended by the tiniest thing on one hand and people calling you cheesy for not including offensive content on the other. That’s how people are. So, don’t focus on pleasing people. That will be depressing. Focus on pleasing God. If you wouldn’t write it with Jesus looking over your shoulder, don’t write it.
Because, don’t look now, but He’s watching.
I won’t judge people who accidentally make their Christian characters too homogenous too harshly. I see why it happens. But because of my upbringing and experience, I wouldn’t excuse myself so quickly. I spent the first 20 years of my life attending a Presbyterian church—but before you assume anything, know that the pastor is markedly conservative and has heavy Lutheran influence. But you should also know that my grandpa was a Pentecostal preacher at a “non-denominational” church down the road. He was descended from a line of tent-revivalists but also differed from many Pentecostals on some points.
What’s more, my family is musical, so we’ve crashed church services all around the area to give musical programs and lead worship. My sister has worked for Methodist and Baptist churches as a pianist. I’ve been to Catholic masses at monasteries and to quiet Lutheran Christmas services and Loud Mega-Churches with lightshows. I’ve even been to a Seventh Day Adventist church where the potlucks are especially special. There was also a church where people uh…fell over randomly. Yeah.
For a while my family regularly attended a tiny Methodist church in the middle of nowhere with a woman pastor. Now we attend a Missionary church, but I don’t really consider myself any particular denomination. I have my intricacies, of course, but I prefer “Christian.”
Even within a single unified congregation, people vary spiritually. They vary doctrinally. They have different priorities in their relationship with God. Don’t forget this when you create Christian characters for your stories.
Here are some helps to add variety:
- Think about your friends. Oops. Authors don’t have friends. I mean, think about your casual acquaintances and the people you hide from when you see them in the grocery store. You can’t go wrong basing the attitudes and beliefs of your characters on those of real people. Does everyone you know agree with every detail of your own faith? Do they have the same standards? I bet they don’t. The people I hide from in the grocery store certainly don’t.
- Visit other churches. I don’t know how normal it is to have been to so many different churches. I’ve had some unique opportunities. But I advise you to visit some other churches near you and get a feel for the kind of variety that exists even within denominations. Did you know some Catholics raise their hands and sing contemporary praise songs? It’s true. You’ll find there are churches with huge youth programs and others just miles away that apparently have no members under 50. Different churches attract different types. Size also has a major effect on the character of an individual church and the people you find there. (Or is it the other way around?) Ironically, as an introvert, I prefer larger churches. I’m not sure if this is universal or not.
- Research denominations. If you’re going to place a character within a specific denomination, definitely research that denomination. You should research denominations anyway, just so you know. Denomination is going to affect your character’s views on how churches should be organized, evangelism style, predestination and freewill, end times, how they pray, and sometimes even how they dress or wear their hair.
- Consider regional differences. Honestly, I don’t even know as much about this as I probably should. I know churches in the southern US are different than they tend to be in the north. Differences are sure to be even bigger when you start crossing national borders. Some Catholics in Mexico are…really different. Your characters are going to be influenced by their culture and location as well as the specifics of their denomination and their individual church.
- Consider outside factors of culture and upbringing. Christian characters are going to be partly formed by their family life and education. Was your character raised Christian? Did their parents help or hinder their spiritual growth? Did they go to a Christian school? Public school? Were they homeschooled? Were their experiences positive or negative? How well do they know the Bible? Christian history? How informed are they on current events? Was their faith always affirmed or respected, or were they bullied or persecuted for it? All these things can affect your character’s worldview.
- Don’t forget time-period. If you’re writing historical fiction, make sure you study out your time-period. Check your Bible translations to avoid anachronisms. Find out how Christians responded to the culture and current events of the time and decide where your specific characters stand on different issues. And when your 1834 character begins to pray, don’t, under any circumstances, allow them to start out like, “Lord, we just….” Try something along the lines of “Gracious and eternal God….” There’s no “just.”
Quick rabbit-trail: The profuse overuse of the word “just” while praying out loud is a very contemporary idiosyncrasy. It’s a vocalized pause akin to saying “like.” In fact, you can swap “just” out with “like” and you’ll find it serves the exact same function. That is, adding nothing.
Also, if you’re writing futuristic fiction, realize that while some odd individuals may still insist on using ye olde King James Version, you’re probably going to have most of your characters reading translations that don’t exist yet. Have fun.
- Avoid focusing on divisive issues. You might be very passionate about infant baptism or Calvinism or head-coverings. You might be able to write a whole persuasive essay on your views on these things but think twice before you give them the spotlight in your novel. Not only are you guaranteed to alienate a large percentage of your readers, but you’re also cheapening your story and turning it into an excuse to make a point about an issue. These things might be linked to deeper issues, but in themselves, they are pretty shallow. Give yourself some strong themes and explore them instead. Your readers will like you better, and you’ll probably like yourself better in the end, too.
- Use differences to highlight Jesus and who we know he is. Rather than staging battles between different minor Christian beliefs, Christian fiction gives you the opportunity to show God’s goodness through the eyes of different characters in different situations who probably don’t agree on every point. Admittedly, some beliefs are wrong. Nobody is going to have it all figured out. But you as a Christian author have the opportunity to reconcile your characters’ differences and point to the deeper truth that we share.
Not all of your characters should be carbon copies of you as far as their outlook and worldview. Variation will make them more believable and more interesting. You’ll find it isn’t actually that hard to incorporate more variety if you simply take the time to stop and give it some thought. (And you’re probably already addicted to obsessing over character details anyway, so might as well.)
Have you ever noticed the “just” thing?
Coming up next, my two cents on the content controversy. What should we write in? What should we leave out?