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Interveiw With Valhalse Coharnah, antagonist of The Stardrift Trilogy

Sorry for the pause. That was for suspense, of course. Very calculated. Now, here’s what you’ve been waiting for: an interview with the villain.

 

What is your goal as the ruler of Divizah?

 

My aspirations change with the wind. I’ve told some people I would resurrect theocracy—only partially in jest. I used to be such a romantic. I would do anything if I would be worshipped for it. But after a while I realized that gods are all too often manipulated by those who take a more underhanded approach. I don’t know what I want right now, besides possibly to shake off certain political shackles—alliances, that’s what they call them—that keep Divizah so pitifully domesticated.  

 

How do you see yourself?

 

I…I’m not sure. It depends very much on perspective. Much of what I’ve been through has stayed with me. I see myself through the eyes of those around me sometimes. I used to try to see that way more often, but I grew to hate it. I hate what other people see, but I could care less if they continue to see it. People’s opinions don’t matter at all.

 

 

What is your take on humanity in general?

 

Humanity is ultimately tragic. So many people die chasing after something unattainable, impermanent, or altogether imaginary. A waste of lives. A waste of passion. I’ve tried reasoning with them. They don’t listen. Masses only trust their emotions—particularly their fear.

 

 

 

What is your greatest fear?

 

Fear? What would I be afraid of? I couldn’t say I have any fears…it wouldn’t be good for public relations. Everything’s alright most of the time. I used to think more about…things when I was younger, when I had just taken my position as sovereign. I’ve been trying not to brood so much lately. There isn’t any sense in worrying about it anymore…but I didn’t use to wake up in the night, like I do now.

 

Have you ever done anything you were ashamed of?

 

Shame very often comes from acting without weighing the consequences. I struggle with an internal discord between very passionate emotions and a need for a very strong strategy. You have to be extremely cautious as a Divizin sovereign. You live a public life and are constrained to meet rigorous expectations. Tiny mistakes still pile up in time, though. I’m both ashamed of everything and of nothing I’ve ever done.

 

From what do you derive satisfaction?

 

Nothing! No, I guess there must be something…some small thing. I like it when I walk into a room and I can feel a surge of awe run through everyone there. I enjoy paralyzing someone who attempts to oppose me. I have it down to an art. All of my human interaction has become very nuanced and adapted to create the desired effect. A Divizin sovereign is no mere mortal and never truly satisfied until they cease to be treated as such. I also like breaking glass. It has a guaranteed shock effect every time.

 

Is the Universe chaos or a plotted design?

 

Oh, a beautiful design—plotted no doubt, for self-destruct from the beginning of time, but nonetheless beautiful. The streamlined perfection of the design has always intrigued and, in light of everything that’s happened, almost amused me somehow. I think I’m beginning to understand now. With all the stardust, and heroism, and DNA and tears, it was all meant as a joke, after all–a bitter, morbid joke for those of us who get it.
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Interveiw with Dahskay Onlore, Main Character of The Stardrift Trilogy

Now things get fun. Today, I’m staging an interview with The Stardrift Trilogy’s main character, Dahskay Onlore. Dahskay Onlore is an apprenticed radio astronomer working as an intern at her father’s Observatory in the mountains on the planet of Finzar. In Earth-years, she would be about sixteen when the story starts.

What are your favorite and least favorite things about your job at the observatory?

For one thing, I love the setting. The Ematosk Mountains are beautiful, and the emotional climate at the observatory is so peaceful and contemplative most of the time. It’s kind of a vacation setting. Then there’s the whole astronomy aspect. I love our subject-matter. It’s all so huge and fantastical, and the fact that our sole purpose is to listen to what the heavenly bodies are saying…that’s cool. (Laughs.) If you can’t see how cool that is, I can’t help you.

  Things that aren’t as cool would be the boring technical things and the computer work. I don’t like technology very much. And then there’s the fact that you’re kind of isolated up there and stuck with the same bunch of people all the time. That sometimes gets old.

 

How do you choose who to hang out with?

Well, when you’re working, you don’t often get to choose, but during breaks and the off-time we get every four days, I prefer to be with my brothers. Otherwise there are several girls that live in my dorm who I like. I like good communicators, quiet people, people with interesting stories. Some of the other interns aren’t really going into astronomy, so there are some that I have to search around for common ground with. But for the most part, a lot of the people at the observatory share that interest. It’s nice to be with people who have a passion for what you love.

 

Do you find it easy to trust people, and get along?

Yeah, usually, I’d say I do. I like to see people in reference to their experiences and know them for who they are. A lot of people dismiss other people too easily as this or that, and walk away, or run away, accordingly. I try to be patient and learn about people, and try to assume the best of them. I found it really pays off.

 

Do you consider yourself a heroic person?

I don’t know…I guess it depends on how you define a hero. Standing up for what’s right under pressure and standing by the people you love are important, I guess. Those are things I try to do. I would be willing to do whatever I had to do to help people who needed me. Self-sacrifice and hope are probably the virtues that I would say define a hero. I want to be that strong, but I don’t know for sure if I am, right now.

 

Do you think individuals are important in the grand scheme of things?

Wow…big question. As an astronomer, you spend so much time in light of the giant realm we call the universe. Really, you would think that people and their individual struggles and achievements would shrink by comparison. Sometimes I wish they would. But yes, I think people are infinitely important–as important as the universe is huge. It’s a mistake to separate individuals from the grand design. Everyone’s an essential part of it.

 

Do you believe in a higher power?

Yes. I’ve always believed in God, but there’s something about astronomy, and space travel as well, that just keeps emphasizing it. You can’t feel alone out there. I don’t really like space travel, but, with all the comfort and familiarity stripped away, that’s when you really know that it isn’t just your personal culture, your hometown, your planet. You get out there tens of millions of miles from all that, and your head clears, and you know it’s not your imagination.

 

If you could send a message to everyone in the universe, what would you say?

I’d tell them to listen. Listening is so underrated. People don’t seem to have the curiosity or the imagination to search for what might be calling them. You never can know what your destiny is really meant to be. Mostly just because it’s so celestial, and so huge, you can’t take it in. But if you listen, you might get some hints of what’s coming for you. And it’s not something bound to your home planet. Your life was never meant to be that small.    
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The Publishing Story

And what a long story it is. I started writing The Stardrift Trilogy way back in 2008. Back then, I wasn’t actually planning to publish. I didn’t expect anyone outside my family to read my story. I was fourteen then, so that seemed a little bit grandiose to me.

But here’s how I started my publishing adventures. For anybody who doesn’t know, there are three ways you can get a book published these days. You can try to sell it to a traditional publisher (traditional publishing), you can do the entire thing yourself (self-publishing), or you can buy the services of a publisher and keep the rights (subsidy-publishing.)

  I chose to subsidy publish a bit rashly, I suppose. I found a subsidy-publisher called Westbow Press that would produce my books and distribute them in four months—that was about two years ago. There were really two reasons I chose to subsidy-publish: it was faster than traditional, and I doubted that I could market my books successfully to a traditional press.

So what happened to the four months? A number of things. When I decided to publish, I had already written the whole trilogy. To cut expenses, I intended to have all three books produced as a single volume. So, when I submitted them to Westbow, the three were one document.

The books passed content evaluation, meaning they found no copyrighted material, nothing that was against their publishing standards, and that the manuscript was legible. But there was a problem: they didn’t have the equipment to bind a novel that thick. So, I had to divide the document into two volumes, and re-submit it.

  At this point, I think there was some kind of miscommunication, because they thought they had to run the whole evaluation over again, even though they had already seen everything the first time through. This set the time back again, and to make matters worse (and very confusing) it didn’t pass the second time.

Turns out Westbow, in the middle of my project, decided to tighten up their standards of violence in the books they produced—cutting it down to about a PG, or possibly even G level. There is some blood and violence in the trilogy, and after struggling with attempts at down-playing it in revision, I realized I couldn’t reduce it any further without disfiguring the story.

  So, we pulled out and went over to the secular Abbott Press. But time was set back again. We picked slowly through the process with multiple strange little setbacks. But, at long last, the project was finished.

  That was my rather awkward break into the publishing world. I’m eyeing out both self-publishing options and a small Christian traditional press called Enclave Press for my up-coming novels. My hope is to start to establish myself with the Stardrift Trilogy. If you have any interest, check out “books” page on this blog, or simply search for The Stardrift Trilogy by A. L. Buehrer on Amazon, Barns and Nobel, or the Abbott Press Bookstore.
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IT’S AVAILIBLE!

Well, The Stardrift Trilogy is now available to the public. Spread the news. You can buy the books on Amazon Barnes &Noble, and on Abbott Press Bookstore. Read it, review it, enjoy it if you can! Seven years in the making, and it’s finally here!!!

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My Books Snippet

Snippet!

There was a worrisome fluttering and clanging and then silence. Presently, the seabird’s head appeared at the other end of the shelves. Without a thought, Dahskay sneaked up on it and caught it before it could fully emerge. She pulled it out gently despite its clawed feet clinging to unseen anchors behind the shelves. She tucked in the enormous wings and held it firmly against her side.

  “You got it!” whispered Cahathel in amazement, rushing to open the door.

  She glanced nervously down at the bird’s long, ponderously hooked bill as she carried it to the exit.  It didn’t threaten her with it. It just blinked and gazed steadily ahead.

  Just outside the door, she crouched down and let go of it. It fussily rearranged its wings and turned walking into the wind a couple of steps. Before it took off, it looked back at Dahskay through clear gray eyes.

  As the enormous spread of wings climbed away into the stormy sky, Zaarrveck muttered, “Strange, most of them have dark eyes.”
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My Books Snippet

Snippet!

On the other side of the door, she stopped short and stared. The chamber’s ceiling was as high as that of the exterior hallways and it was punctuated by skylights shaped like elongated teardrops streaming from the highest point in the vaulting. Stormy blue-ish light flowed down from these windows and lit the soaring labyrinth of shelves and cabinets that kept the temple’s some twelve-million documents. The air was cool and felt like it somehow came from outside. There wasn’t a sound to be heard.
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My Books Snippet

Snippet!

Dahskay slipped suddenly from the gentle hand of dreamless sleep. It was funny how every time she had awakened from any amount of sleep on this mission, she always expected to be in her room. What was even stranger was the fact that it wasn’t her room at the OAOF on Clilltar. Not even the girls’ dorm on Finzar, but her childhood home that she imagined she would see when she opened her eyes.
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Six Week Countdown!

From this point on, it’s only a six-week countdown until the Stardrift Trilogy will be available from Abbott Press’s website. That would date party time August 25. At last.

  You know, I’ll probably post the whole story of my adventures in subsidy-publishing once they’re over. For now, I’ll just give you a teaser, saying, “It’s a once-in-a-lifetime experience.”

  In the meanwhile, I’ve got one more thing. In these weeks counting down to printing and distribution, I’ll be posting snippets from the Trilogy here on As the Stars Drift interspersed along with my other posts. Stay tuned.
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News!

Two things: First of all, I have made two new advances into the online world. I recently made an author’s website that you should be certain to explore. I’ve never made a website before, but it was really surprisingly simple and I’m pleased with the results. The other slightly less impressive development is, I’ve joined Pinterest. I try to avoid these kinds of things because they can be such time-sinks, but I have to say, I enjoy it a little too much. Check it out.
  The other announcement is even more exciting. As of a few minutes ago, I sent of my final manuscript with additional maps, a glossary, and some fourteen illustrations I made to improve it. Now, pretty much all I have to do is wait. As soon as I know an approximate release date, I’ll post about it.
     
 

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Publishing Update

I’ll break from my fiction advice series for a moment to tell you that I’m still hard at work on subsidy publishing my first three novels, The Stardrift Trilogy. I’m not absolutely certain that I would advise subsidy publishing after what I’ve been through, but on the other hand, I’ve run up against a great deal of unfortunate flukes in the process that people with normal luck might never encounter.
  I’ve actually had to switch publishing companies in the middle of everything. I’m pretty sure we’re getting back on track, but I imagine it won’t be until at least December before the trilogy is finally released. This process is supposed to take about four months and it’s taken me over a year. Typical.
  My enthusiasm to see my work made available to the public is undiminished, through it all. This blog is going to get a bit more meaningful, (and hopefully, a bit more traffic) once I can start using it to discuss themes and nuances of my novels.
  It will be really fun when I start publishing other books as well. I may or may not get bold and try to traditionally publish A Hand with Five Fingers. You know something I realized about that title? It’s a lot like The Beast with Five Fingers. But in my defense, I didn’t know about the creepy old movie until a while after I had named my book. And it isn’t nearly as bad as the two classic books, The Invisible Man and Invisible Man. I mean, really, that’s terrible.
  Just musing along. Do you know what I think could be a problem for me if I tried to publish traditionally? My books are totally not commercial enough. They always have you define your target audience. Who is my target audience? Like with Stardrift, for example, it’s classified as sci-fi, but it really isn’t sci-fi. The sci-fi audience expects laser blasters, light-speed, robots, technology gone rouge, and women in metal bikinis. Most of the fighting is done with steel-bladed weapons, light-speed is technically impossible, technology is strictly coincidental, robots are cliché, and I don’t believe in bikinis, metal or no. I don’t even know if my audience is male (it is sci-fi, after all) or female (the protagonist is a girl.) I imagine it would be considered young-adult reading, but it isn’t necessarily as fluffy as you might expect for that age-range.
  I consider myself a speculative fiction writer. That’s kind of vague, but that’s probably good, since it makes it so basically all my books fit into the genre. Even Rhapsody Threnody could be considered spec-fic for the supernatural undertones, (though it’s technically more on the Christian fiction side.) A Hand with Five Fingers, what with the time-travel involved, could also be included, as could, of course, the new sci-fi/fantasy trilogy I recently started called The Art of Lightplay.
  Anyway. This is a rather disorganized post. I may be posting again as soon as tomorrow or as late as two-weeks from now. I think you’re getting used to my inconsistency. Thank you.
   

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