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Then Autumn Took Hold…


It always happens sometime around the end of August. I’ll be standing in the sun, smelling the new-mown grass, the sunscreen and the corn pollen and then suddenly…I recognize something in the slant of the sunlight. And in the middle of the close summer heat, something deep inside me whispers, “Oh boy, here it comes.”

And the mercury rises and falls and rises again, but there’s no stopping it. Fall is coming. For me, it’s one of the things that makes the merry-go-round of the year all worth it.

So, the equinox was on Monday. Specifically, it was at 3:50 am Eastern Daylight Time. That means the sun crossed the celestial equator and day and night were of equal length. Closer to home, it means my favorite season is officially underway, the leaves are allowed to start changing now, the air should get cool and crisp and start to smell like woodsmoke and spices and wet forest floor. And suddenly I feel like I’m ready to take on the world.

I don’t know the science behind that last seasonal change, but I don’t seem to be alone in the sentiment. Fall seems to be a favorite among creative types, particularly. I’ve got all kinds of plans to look forward to. Here’s an abbreviated to-do list:

·         PUBLISH RAINCHILL ALREADY!!! This is a requirement.

·         Finish writing Nightstare. This might be my NaNoWriMo goal.

·         Lay out the main events for the rest of the Dronefall series

·         Blog regularly (ehem.)

·         Write some short stories

·         Write some poetry

·         Work more on plot and character development, improve my craft, etc.

That’s just for my writing-life. I have other goals too. Like restarting the exercise regimen I dropped for no reason in June, and focusing more on my art, and my woodburning, and finishing recording that Irish tin-whistle CD, and planting bulbs, and GOING ON VACATION. It all sounds fun to me.

I sincerely hope everyone reading this is looking forward to Fall as much as I am. Set some exciting goals for yourself today and get to work on them. And then go outside and look around for the magical thing that’s starting to happen out there.   

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I Have No Idea What I’m Doing: a mini memoir

If you want to be a doctor, you go to medical school and they tell you what to do for about seven years. You get your degree and you train, and you don’t really have to go figuring out how to remove tonsils just by going in there and snipping random stuff.

If you want to be a teacher, you get your degree, you student-teach, you learn from people who are doing it right in front of you. They don’t just drop you into a dusty arena full of middle-schoolers and leave you. (Though it probably feels like that, at first.)

But when you say. “I wanna be a paperback writer! Paperback writeeeerr!” People are like, “Good luck with that.”

Thanks for all the luck, guys. It’s been very useful.

If you’ve read Dronefall, then you know that in the back it says book two, Lightwaste is coming in summer of 2018. That’s not a spoiler. It’s technically more like a lie. Obviously, here we are in the third week of March, 2019, and do we have Lightwaste? No. Why?

I Have No Idea™

From now on, I’m going to note in my captain’s log every time I hit an obstacle in my journey from finishing a book to publishing it. It would make quite a chronicle for Lightwaste. Since summer of ’18, I’ve been telling myself, “yeah, probably next week,” almost every week. I don’t think I could even classify the feeling as suspense anymore. Hitchcock would have thrown the book of my life across the room by now. This has gone on about seven months too long.

I’ve read a pile of books on writing and I tend to browse multiple blogposts on the craft through the week. I’ve finished eleven novel manuscripts and made four available to the reading public. But I’m still groping in the dark when it comes to the nitty-gritty digital world of publishing. I really don’t know what I’m doing.

But I’ve made up my mind to let it bother me as little as possible. I don’t want to get too wrapped up in the chaos of the last seven months and the very possibly extensive chain of roadblocks still ahead. Sometimes I’m smart enough to see work as a game. Part of the game is hacking through Mirkwood with frankly nothing to guide you and assure you that you’re even on the right track. I pick up new skills all the time—things I never would have set out to learn, because I never saw them coming. In doing this I repeatedly surprise myself by doing things I thought were beyond me with my total lack of training.

So, even though I don’t deny that having no idea what I’m doing is potentially extremely frustrating (particularly when it gets in the way of my production of art) I think I’m actually doing pretty well, considering. In fact, right before I published this post, I ordered my second page proof of Lightwaste. Maybe I really will publish the book by the end of the month. Who knows?

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BLACK FRIDAY! a huge selection of indie books available

So, I thought it would only be fair to stop my insane last-week-of-NaNoWriMo writing and tell anyone within hearing some news from the wonderfully generous world of indie authors. There is a huge sale going on through Cyber Monday. There are over 150 clean indie books in a wide variety of genera on sale for as little as 99c or free. There are even some paperbacks available.
  You could get yourself a pretty good lineup of reading material if you tried. I’ve watched a lot of these authors, and some of the books are on my own to-read list, even though I try really hard to keep my to-reads under control.
  Anyway, check out the sale. And hurry up.

This is the link. You know you want to click it.
What’s more, if that’s not enough, there’s also a crazy giveaway going on. A really crazy one. I mean a literally 20 paperbacks to the winner crazy one. Do I have to say more? You probably will be wanting the link to that one too, won’t you. Okay.

a Rafflecopter giveaway

Best of luck to you!

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Review of Akrad’s Children

I felt I should take a break from promoting Dronefall and share a review of a recent read.
What? I get assigned a random book to read and review by an indie author I’ve never heard of, in a genre that often disappoints me and I…actually kind of liked it? What sorcery is this? It’s notoriously hard to entertain me with fiction. I was surprised how much I appreciated this book, even in spite of it’s flaws.

Things I Liked:

·         Dinnis The main character grew on me over the course of the book. Though honestly, I knew in the prologue that I was going to like him. Throughout part one, he was rather difficult to connect with, but things really picked up in part two, when his struggled become defined and his personality develops. Dinnis is quiet and has a bit of an edge. He has a lot of emotional reserve, and the author does a great job portraying that without judging it, which I really like. He’s resourceful, independent, and clever at getting what he wants in spite of odds and authorities that oppose him. He’s curious, creative, and intelligent, and loves his sister in spite of how hard she is to deal with and how little she returns his affection most of the time. It’s a rare thing, and a very good thing, when a character can make choices, good or bad, and I find myself saying “Yeah, that’s probably what I would do.” Dinnis was impressively relatable.

·         Sensory detail The author doesn’t skimp on detailing and fleshing out her scenes with all five senses. It made for a very immersive experience. All the sights, sounds, and notably smells of this story plunge you into the world like many books fail to. It made the characters and setting all the more vivid. If you want a book to transport you to a whole new world, try this one.

·         The story-world The South-American feel of this story-world was refreshingly unique. The settings were sweeping and often very beautiful. I enjoyed the different races and how well they were described. The culture, the costumes, animals, the food—it was all there to explore. I’d like to go there.

·         The royal intrigue I didn’t realize I was a fan of royal intrigue, but I’m starting to think I am. I like secret plots and the subtext that it lends relationships in the story. There are some good twists in here—or at least, they are twists for some of the characters involved. This author did a good job making the reader feel the shock of discoveries as they hit the characters, even if the reader already knew.

Things I didn’t like:

·         Some boring character tropes Akrad is kind of a moustache-twirler eeevil sorcerer type. (Not that I didn’t kind of like him anyway.) Dinnis’ sister is kind of a typical bossy little sister/proud princess/power-hungry type. There were a couple of side characters who I sort of rolled my eyes at. (Bitjarnan in particular…ugh, I can’t stand those kinds of characters.) But it wasn’t enough to bother me too much. You’re almost bound to have a few of those in high-fantasy.

·         Kids don’t always feel their age This was mainly an issue in Part one. Sometimes the children didn’t talk like children at all. It wasn’t constant, but it really stood out to me when it happened. It also felt a little weird for Dinnis to be so fascinated by Rasal at his. Maybe it wasn’t meant to be romantic, but it kind of came across that way, and I think he was eleven…I certainly didn’t have those sorts of feelings at eleven, but maybe I’m weird. This problem disappeared when the children grew into it a bit.

·         Presentation There were quiet a few typos throughout this book. I wanted to fix them. Typos aren’t a big problem for me, I know what it’s like to be indie and to read indie, but there was sort of a lot. I think the author could have caught most of them herself had she simply had her computer read it aloud to her. I do that. It really helps. Also, I might never have picked this book up judging by the cover. The writing is much higher quality than the cover art.

Things I thought were weird:

·         Yarmas So, most animals were real animals referred to by their English names, but yarmas were a mystery. I think they’re llamas, but they could be sheep, goats, or yacks.

Overall, I recommend this book for YA fantasy fans in the mood for a clean, detailed story of royal intrigue set in a vivid story-world. It’s an experience.

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Excerpt from Dronefall Chapter One

I have something for you all. If you read the title of this post, you probably know what it is, so I won’t tell you.
Here, you can read it.

As long as people jumped off trains, there would be hope for the world. 

 They called the Trans-Pest Express “The Blindworm.” It was really an enormous system of trains synced together in a network that spanned the entire province. They were fast, clean, and regular to the second in almost any weather conditions. No one operated them. They were completely automated. Daily routes stopped at all the right places at all the right times to fit the schedules of all the right people. But not everyone could be right, and ever since she first got her chance, Halcyon Slavic did everything wrong.  

  For example, she jumped off trains.   

  “The train will be stopping at station seventeen in approximately three minutes,” said no one, a disembodied male voice from a speaker’s grille in the ceiling. The passengers were already standing in the aisle, fluorescent blueish light burning down on the napes of their necks. At the back of the car, a young woman with dark hair and a thin, weaselish face sat with her back against the window and her legs crossed over the other two seats on her bench. She pulled back the torn sleeve of her sweater and checked the GPS on her wristband.   

  This was the best time. Not only were they approaching the prime location to jump— uphill, as the train began to slow—but everyone else had gathered away from the emergency hatch. She got up, flipping her hair over her shoulders. At this point in her life, she was more than familiar with the little idiosyncrasies of alternative exits. Dull light glowed in the socket of a switch at the top of the hatch. She stood on her toes and jammed the sensor so her exit wouldn’t trigger the emergency breaking system. The electronics were too easily fooled. Surely, if society hadn’t accepted this behavior, they would have upgraded by now. Why should she get off at the station and be tangled in the matted crowd when she could walk from here to her apartment in minutes? Especially after today.   

  A high tone sounded. Her eyes anchored on a lever beside the doors. She pulled it and the hatch slid open, dragging in a warm foggy wind.   

  She looked over her shoulder and down the smooth quiet aisle at the huddled commuters. They stood, heads hanging over their smartbands and Tarot phones, flickers of light changing in their eyes. Halcyon had seen some of them before. The woman with the scar on her chin was familiar. The thin, unshaved man with the prominent eyes was almost always on the same trains she rode, it seemed. Maybe she would see them again after tonight, maybe not.   

  The wind whipped through her hair in cloudy gasps as she edged out onto the running board on the train’s chromed exterior. Dew condensed on her hands, making them slippery on the bar beside the hatch. She squinted through the engine’s white breath at the dark ditches alongside the rails. Twilight lay heavy over the city. In a minute or two they would coast into the light-soaked residential area. There would be people everywhere, not watching out for train-jumpers.  

  She kicked off the running board, propelling herself far from the slithering train. The wind thundered in her ears and she landed on her side on uneven ground, rolling down into the ditch. Flinging out her hands, she caught herself and crouched on the gritty ground. That had hurt this time. Her disheveled hair tangled around her neck and lashed over half her vision. Sandy mud darkened the over-long sleeves of her sweater. The express glided by, steam roiling and snarling. In a few seconds, it disappeared in the fog, leaving its hissing wail to hang in its contrail until the whisper of rain washed it away.   

  Halcyon got up and scowled at the glow of the city down the glimmering tracks, pulling her sandy hand through her hair. On some nights she would lie awake and listen to the city. She didn’t know what the noise was, but it was always there, resonating into the sky, as if the world still hadn’t quite given up on the hope of being heard someday. Tonight it was loud. It was louder in the direction of the frozen fireflies that were the warning-lights for station seventeen in the middle of the residential area. Wiping her hands on her thighs, Halcyon climbed up the outside of the ditch and headed into the quieter part of the neighborhood.  

  As soon as she was on level ground, her gaze swept skyward. If only there was some way she could alter her pattern—take a different train or something. But then again, a change like that could set something off. Anyone else might have gone on with their life from day to day and never noticed, but Halcyon saw drones differently than the others on the street. She could recognize individual drones better than she could recognize individual people. But chances were the drone that had shadowed her for the past five days was better with faces than she was.  

  A cold raindrop grazed her cheek. Her eyes focused beyond the pacing lights in the layer of relatively clear air fifteen to twenty meters over the street. A canopy of twisting fog always gathered this time of night, above what was commonly called “the buzz level.” It wasn’t possible to see what the real sky-conditions were high above. Somewhere up there, it was raining.  

  Halcyon cut across the human current streaming inward toward the shifting neon and floodlights of the residential area. She dodged the blind commuters and looked up again. The buzz level was a river of LED lights. Half by accident, Halcyon had taught herself the configurations. Even in the uncertain lighting she recognized them flashing through the smog around the ornate ancient architecture of Buda.   

  Police and emergency UAVs were heavily lighted and outfitted with glaring strobes. They barreled across the ceiling of the buzz level—an altitude reserved for them in the city. She could pick out the regular square shape of a delivery drone moving swiftly and steadily through the more maneuverable traffic. Then there was a press drone on its way to tomorrow morning’s story. Photographer drones were stable, complex, and often “headless,” meaning at any time they could change their orientation and any side could become the front. For that reason, they didn’t typically have red and green lights indicating port and starboard.  

  Then there were the numerous cheaper models available to the public: Bi-Props with their two white-hot visibility lights, Owlets with their reflection-tape-lined foam wings and flashlight faces, clunky little quad-copters with blue and red LEDs on their arms. This was the usual crowd.    

  Her eyes roved through the buzz level once more as she approached the entryway of her apartment-complex. A triangular configuration ducked into a slower-moving stream of drones. She saw it turn end-over-end as it advanced down the channel between the buildings. An electrical tingle crawled up the side of her neck. She turned and the glass doors swept open in front of her.  

  She ground her molars together, striding into the low-lit lobby. Her eyes stayed on the floor as she approached the desk. The woman behind it stood with her back turned, facing the blank wall, talking to the tiny implant in her ear. Halcyon came up and leaned on the glass desk. “Bekka.” The woman turned and tapped a green dot under the surface of the desk. Halcyon pulled a microchip card out of her wristband and placed it on the screen that appeared. Numbers flashed on the surface for a moment. Bekka adjusted the tiny screen of light over her right eye, and turned away again, pupils contracted by the luminous images projected centimeters from her retina.   

  For a second Halcyon stood fingering her card and squinting at the woman’s back. She slipped the card into its slot in her wristband and walked to the stairway. When she got to the steps, she paused one more time to look over her shoulder. Bekka never did see her, she remained engaged with the blankness and the silence. Halcyon pressed her lips together and spun around, flying up the stairs.  

  She drew in a breath and strode down the hall, scanning the familiar numbers on the locked doors. Numbers had such personality when nothing else did. Thirty-eight B—that was home. She had always noticed something about the openness of the three, and the closedness of the eight, and the way the B was just a three with a bar through its teeth—but it hadn’t really meant anything to her until now. She closed the door behind her.   She crossed the room in the dark and stood at the window for a second. Something cold caught in her chest. Beyond the glass, that triangle of lights rolled over again. It boomeranged around toward the building. She watched it pace past the window and down the street a ways. Just as she stepped back from the window, it flipped over its axis and returned. She whirled around and tripped over the leg of an inn table, charging across the room.  

  The door slammed behind her and she dived onto her knees. She dragged a plastic box out from under her bed, knocked the lid off, pulled out a long garment of heavy fabric and held it against her chest for a second, looking back toward the door. She jumped up and flung open the door to the bathroom. There she found a small tub of something black in the cabinet. She took one more sweeping glance around her apartment before evacuating.  

  At the end of the hall outside there was a fire-escape. Not that way, it would trigger the alarm. How many times had she done this before in her mind? Downstairs—a sharp turn to the left. The unmarked door was unlocked. She darted out into the darkness onto a gritty floor and crossed the small room in three long strides. The distant hum and throb of the city leaked through the thin walls. A single bar of light burned sickly white over the door. Halcyon stepped back between two cast-iron shelves and caught her breath. She pulled the heavy cape over her shoulders and slipped her arms through the slits. It was semi-fitted and double-breasted from the front, but loose and asymmetrical from behind. The profile was more practical than it seemed. It was hard to read for certain eyes in the sky. She pulled back the sleeve of her sweater and tapped her wristband. A line of bright-blue lights awakened in it. She pinched the side of it and pulled out a tiny earpiece, clipping it into her ear. As soon as I’m done with this, I’ve got to get rid of it. I’ve got to get rid of everything that they could use to get me back here.  

  “Hello?” A slightly digitized female voice with a brazen American accent came through.  

  “Hey Rev. It’s Hal.”  

  “What’s up?” 

   “I’ve gotta get out of here.”  

  “Tonight?”  

  “Now.”  

  “Okay. Gotcha. Hang on.” There was a slight pause. Halcyon opened the tub of black pigment and leaned toward a fractured mirror on the wall. In the dusty light, she started to paint dark blocks on her face. “Okay, so where are you?”  

  “I haven’t moved yet.”  

  “I don’t think I can get to you from where I’m at. I want you to go to the turn-around at Kiscelli Crossing. There’s a place down the hill to your left—looks like it’s been through the end of the world. You’ve probably seen it before. I’ll have a friend meet you there.” 

 “Who?”  

  “His name is Zolt. I can’t give you a physical description, but you can trust him. I’ll tell him you’re coming.”  

  “Thanks, Reveille.”  

  “That’s no problem. Anything else?”  

  “No. I can’t say more.” She closed the tub and slipped it into her pocket.  

  “Good. Remember, keep under stuff, stay away from vents of any kind, and if you’ve got nowhere to go, drop and don’t move.”  

  “Okay.” She paused at the door to the outside.

  “And Halcyon, welcome to the underworld.”

>>>>>>>>>>>>>>>>>


That’s all. You’re welcome.


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Seven Plans for Twenty-Eighteen

NEW YEAR! 2018

Welcome to 2018 everyone. I don’t know quite when it happened, but sometime within the past decade I transitioned from pronouncing the first two digits “Two-Thousand” and started saying “Twenty.” So, I will say again, welcome to Twenty-Eighteen.

  I have, of course, as always, a lot of ambitious plans and unrealistic dreams for this year. Honestly though, I gave up making New Year’s resolutions long ago. I have more of a bucket-list now. Fairly low-pressure. Just a list of things I would like to get done this time around the sun.

  I’m not going to tell you everything, because that would get boring. But here’s a little of what I’m looking forward to doing with 2018.

1.    Publish Dronefall

Yeah. About time to launch the Dronefall Series, I would think. I literally passed all 2017 saying to myself “It’s gonna be out next month,” and believing it. I’m still honestly pretty uncertain about what exactly my plan is for getting it out there. I want to do it in the best possible way. But you will see it soon, if I have anything to do with it.

2.    Explore a new genre

I’ve been thinking about trying mystery for a long time. I love working out details and setting up plot-twists. (I’ve gotten in a lot of practice with Dronefall, so far.) I doubt I’ll be the next Agatha Christie, but time you spend experimenting is never wasted, in writing.

3.    Read what I want to read

Okay, so bear with me. 2018 will be my first year without any form of formal education controlling half my conscious mind. I might be struggling to adjust, but I found that I feel obligated to read a lot of stuff I don’t actually enjoy, just because—well, won’t my brain rot out, or something, if I don’t? No. It’s not going to hurt me to take a year and read only what I’m actually motivated to read. Hello, 2018!

4.    Get some short material out there

I’m not strictly a novelist. I’ve been writing poetry for longer than novels have even been a thought for me. My mom seems to think people might actually read my poetry, too. It’s kind of crazy how many people won’t even touch a novel because of attention-span issues. But a fifteen-line poem? Why not? I’ve also got some weird short-stories….

5.    Go to a writer’s conference or retreat

My face-to-face, in-person networking is…completely non-existent. I’m kinda-sorta acquainted with a few authors online, but if I could actually see some of my own kind IRL that would be more than awesome. I’m going to have to be on the lookout for events near me. I’ve got my eye on one already. I’m not sure where to start, but I think I had better start.  

6.    Give back to the indie author community

I don’t have a ton to give at this point, because I’m still a dark-horse and haven’t got a massive throng of followers on…anything. But want an interview? Can I review a book for you? Do you know of a Christian indie author I might be interested in? Hey, contact me. I’m especially interested in interviews on specific points of author’s work—not just the generic “what inspired you?” “When did you become a writer?” type of questions. I’d like to dive deeper with other indies, and show their hungry readerships a more colorful picture of their worlds. That’s something I think I can give.

7.    Nanowrimo!

Yeah, the Holy Grail of author goals. Believe it or not, I did this once before—during my junior year in college. I passed the finish by a couple thousand words, even. No, that wasn’t a smart time to attempt 50,000 words in 30 days, but I made it work somehow. This year, I’d like to do it again. It was a lot of fun.

So, there are a few of my hopes for this New Year. What does your list look like?

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Antihero: a protagonist characterized by lack of traditional heroic values

There’s a dictionary-style definition for reference. Examples of this kind of character range from Disney’s Elsa to Marvel’s Loki. There’s probably an even wider spectrum than that. For some reason, people are drawn to characters who wreak havoc. I’ve come across several articles suggesting why.

  “They embody our hidden desires…”

  “They allow us to embrace the darkness in us…”

  “We identify with them because they show us who we really are–”

  Okay, stop. I used to think I was a cynic, but looking around, I seem to see humanity in a slightly more positive light than the average know-it-all writing on literary subjects for trendy blogs. Is it really just me, or is there something about these statements that doesn’t quite ring true?

  I kind of doubt somehow that we actually love antiheros for their moral shortcomings. I mean, if we really liked evil that much, there are plenty of villains that could be said to “embody our hidden desires” a lot better than any antihero ever could. Because of arguments like the above, Christian fiction tends to cautiously avoid antiheros. I think that’s a mistake. I think we need them. At least with those of us that are trying to stay on the right track anyway, I believe that the sympathy that antiheros arouse may come from the good part of our nature—that elusive “image of God” that we are all created in.

  Here’s what I mean:

1.      We have all know how it feels to wreak havoc

Think about it. Sometime in your past haven’t you run off in a fit of panic and thrown all Arendelle into a devastating mid-summer freeze? Haven’t you ever killed eighty people in two days? I mean on your own scale, of course. Our own mistakes are always the worst. Who doesn’t know how it feels to tear things up? Is it because we really, deep inside want to tear things up, or is it because we know how it feels and can imagine it so vividly?

2.       Stars shine in the dark

I’m a fan of high-contrast. The thing about antiheros is not that there is evil in them, it’s that there is good in them! That’s actually what makes them compelling. The realization that there is something buried inside a character that gives them a chance is what keeps us hanging on, white-knuckled. If you’ve seen Thor: The Dark World, you know it’s peppered with hints at this element in Loki. That singular moment when he shields Jane from the aether shines almost bright enough to blind you with hope.

3.      Desire for redemption

Hope for what? For Darth Vader, for example. Okay, Darth Vader is crossing over into villain territory. Still he illustrates the point. Even though that robotic black mask isn’t half so affecting as Loki’s incredibly emotive face, let alone Elsa’s highly expressive animated visage, Luke’s not alone when he feels the conflict in the once-good villain’s soul. It seems that there is something in us that thirsts to see redemption even after horrible things have happened. Especially then.

  How’s that for a hidden desire?
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Author Interveiw at However Improbable

  Hey, guess what? I got to do an interview on another writer’s blog. Many thanks to Jack at However Improbable for hosting me! Here’s the link. Check it out.

http://www.jacklewisbaillot.com/2015/11/i-dont-trust-you-miss-ethel-dont-go-in.html
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Series Starting Soon

Hey. So, I’ve done a lot of general “fiction writers’ advice” so far. I thought I’d start a series soon on clichés. It’s always fun for me to find ways around typical fiction clichés, and I’ll try to make it fun for you too.
  I also am going to start occasionally including feature posts on particular novels, comparing their pros and cons and doing a little by way of review. I’ll also be focusing on fictional characters in some well-known (and less well-known) books that might interest you. These posts will also serve and studies in methods of characterization.
  Should be fun. Stay tuned.

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The Red Robin

I always stare at graffiti on train cars and wonder….

The Red Robin

a red robin is traced in bleeding paint
 not red like a rose or a ruby
like blood–thin blood
not bright and fresh, but not dry yet
the silhouette of the perching thrush is a shadow on the tanker car
a bird that migrates by train
 the symbol of something
 someone perhaps
 the rainy Midwestern underworld speaks in hieroglyphs
images that fade quietly in the sun of early spring when the trains move
 among formless scribbling of illegible nonsense
and words in garish blocky lettering like crumbling concrete
stains like blood run down the cars
it’s only rust that bleeds from bolts and hinges
 there’s also a robin
a bird from Europe
messages that migrate by train
 as they drift farther and farther from where they began
their meaning fades quietly in the sun of early spring
 it’s only a red robin
traced in bleeding paint
not like a ruby
like blood
in the rain