Author: A. L. Buehrer

Categories
Echoland

Echoland Part 2: The Glass Prairie

Link to Part One: here Wordcount: 1,357 Part: 2/9

Synopsis: Jasmine discovers a strange, lonely world and meets a frustratingly mysterious entity in a hooded cloak.

Wherever I was, I was completely alone there. Overhead, the huge sky was stormy and still dark. The ground was cold under my bare feet, but not wet like ice. Otherwise, it looked more or less like ice. It was smooth and flat. Several yards from where I had fallen (if I had fallen) there was a fine white seam, like a stress fracture. I walked over to it carefully, easing one foot at a time. I needn’t have bothered. The ground, I found out, was perfectly solid. I placed one foot on each side of the crack. Here, I could see—almost–how far it went down. The ghostly seam extended deep into the crystal blackness, down, down, until either it or my vision dwindled. How thick was this sheet of glass? Or maybe, I had been transported to a glass planet. Perhaps it was solid glass all the way down.

  And the sound was still there. It was louder now, but even harder to define. It was some perfect, eerie cross between music and thunder—maybe the way thunder would sound in a place like this, resonating off the endless glass. I stared up at the sky. Lightning frisked between the patchy black fleece and the midnight-blue that seeped through it. My eyes swept down and around the horizon.

  Well, whatever this crazy place was, there was clearly nothing to do here but wait around until you got struck by lightning. And if it didn’t kill you, you would have to wait around until it happened again. In the mean time, I decided to follow the crack.

How long I traced it, I have no idea. Looking back, I don’t think there was any reason it might not have been eight to ten hours. This place had absolutely no landmarks, it seemed, and likewise I began to doubt that my mind or my body still processed time. I’m not even sure if I had any thoughts all the while—not until I started to rationalize what it could all mean.

  I had to either be dead or in some kind of an altered state. Remembering back to my last few moments in the backyard, and up though the point where I fell through to this place, it all seemed impossibly unnatural. I don’t think the ground was what shattered at all. Something had happened to my mind, or my nervous system. Maybe I lost consciousness. Maybe I was struck by lightning again.

My eyes jerked up and I stopped. I’d been enveloped suddenly by an uncanny feeling. I felt like someone was asking me a question in a voice I couldn’t hear. I scowled and looked around me. Was there breathing? No. But there was someone. Should I say something? What was the risk? If no one was there, no one would think I was crazy. If someone was, I wasn’t crazy. “Hey, uh, what’s going on around here?”

  My voice stopped in the air. I turned fully around, twice, I think, before I started to feel silly. Nobody was there. My mind was playing tricks, because I had fallen through to a world where nobody lived and had no way to ever get back. How stupid of me not to assume that right away. People have the hardest time recognizing total solitude when they’re thrown in the middle of it and can’t get back out. They start imagining other presences.

  “Help!” I screamed at the horizon. The figure standing in front of me started back.

  “I was just right about to answer your question.” The face in the dark hood crooked an eyebrow and shook his head a bit. “A little patience never hurt anybody. Hey?”

  I stepped back a bit and looked him up and down. The prairie’s atmospheric drone crackled, and in a lingering flash of lightning I could see his face clearly for a full second. I was so sure I recognized him, the name almost twitched off my tongue, but it was gone before it came. “Well?” I said, shaking it off.

  “First off, I assume you came looking for the bird,” he said.

  I raised my eyebrows and looked around at the sky and then back at him. “Bird?”

  “You know, if you’re going to pretend you didn’t see it, we’ve got a long way to go.” He turned and looked back over his shoulder. “Let’s go find it.”

  I could hardly see him in the lighting when he turned away, but I could make out his cloudy shape moving at a good pace when lightning flashed. I sprinted forward a few steps. “What is this place?” I asked. “How did I get here?”

  “Same way you’ve always come,” he said.

  “I’ve never been here before.”

  “That’s what you think.” I stopped and he turned around. He sighed. “It’s called Echoland. You’re here because you had questions about the bird. You’ll see it in a few minutes. Might not be a great deal to do before morning, though.”

  “If you’re worried that I might get bored here, I think I could suggest a few more immanent problems.”

  “Boredom’s a problem, Jazz,” he said.

  “Kind of like a thousand miles of open land during an electrical storm, I suppose,” I said. “And don’t call me Jazz.”

  He raised his eyebrows. “Why?”

  “Because it’s my name, and I haven’t told you that yet.” I tucked my hands into the pockets of my jacket and followed him for a few minutes of quiet. The wind rushed across the openness, and I couldn’t help but search the land and sky for any sign of the bird. There weren’t many places to hide out here. I came up to walk abreast with my hooded companion. He was moderately tall and appeared to have dark eyes, but it might have been the lighting. I couldn’t say anything else for sure about his coloring, it was too dark, and his hair was hidden, along with everything else, by his mantle. “Are you going to explain to me how I got here?”

  “No more than I’m going to explain how I got here. You’ll figure it out. You’ve done it before.”
  “I haven’t either,” I said. “Stop for a minute. I’ve never been here before. You must be mistaking me for somebody else.”

  “Somebody named Jasmine who looks exactly like you and is looking for the bird.”

  “And I’m not looking for any birds. I don’t know why you think that. I really just want to get back home. I don’t care about birds.” Either my eyes were adjusting or the clouds were thinning as we spoke. Now I could clearly see the expression on his face. He seemed to think whatever he was thinking about was clever, and he was clearly not thinking about my argument.

  “You’ve been looking all over the sky ever since you got here.”

  “Because it’s a weird place with nothing else to look at.” My eyes lost anchor and my vision spun in confusion. “Where’d you go?” I yelled into the empty landscape.

  “Talk to the thunderbird.”

  “Huh?” My eyes lifted to the sky again. There was nothing but clouds up there, matted, flickering, cumulous clouds. There were as many birds up there as there were hooded ghosts down here. My head whipped around as I searched one more time for my disappearing friend. I was alone again, and his voice, disembodied though it had momentarily been, offered no further assistance. “Further assistance.” As if he had been any help at all.

  I noticed a mist was beginning to rise off the glass prairie. All this time, in spite of the clouds and the thundering, there hadn’t been a drop of rain. I had been able to see for miles in those conditions, but now the dark horizon was growing fuzzy. The thunder died away and the humming filled in, taking a slightly different timbre as the mist thickened over the land. The breeze pulsed through my hair. It wasn’t a cold breeze, but it was becoming wet. I pulled my jacket around me and looked up at the sky. No birds.

TO BE CONTINUED….

Categories
Echoland

Echoland: part one

Author’s note: I randomly decided I should serialize an old story I wrote in college. Fun fact, I actually recorded this as an audio book with a full soundtrack and two original songs for my senior project. Not-so-fun fact, I actually hate the sound of my own voice, and on top of that, I was actually sick for most of the recording. I sang a song for it in a key that I usually can’t sing in.

Synopsis: Jasmine is a dancer and a recovering lightning-strike victim who stumbles into a world in another dimension. If she wants to return home, she must befriend a wild, destructive thunderbird who cares for nothing but bells and dancing.

Wordcount: ~10,700  Parts: 9

I turned off the lights in the studio and the coming storm re-colored the room. Slate and silver watercolor washed across the smooth wooden floors. On either wall, parallel versions of me took identical windbreaker jackets off hooks beyond the raw edge of the glass. The mirrors created the eerie illusion that I never danced alone. Silent Jasmines leaped and pirouetted into infinity on either side. They all flinched when the pain spread through by back and shot down my arm.

  I forced my hand out through the sleeve of my jacket. I was the only one who could still see the scars, like ivy in the winter, crawling up my back and across my right shoulder, lacy and lavender-gray. The doctor said I should be healed up entirely my now. But of course, one could never know for sure. The pain I tried to ignore might have nothing to do with it.

  Just the same, it was hard not to suspect it was left over from the lightning strike.

  I was different since that dark afternoon last August. Without making further claims, anyone could tell you that. A light had gone out somewhere in my mind. I didn’t see the world like I used to. Waking up was slow. Falling asleep was even slower. Days merged together and I couldn’t read time or remember names.

  The wind roused itself and held the door for me as I slipped outside. My steps reverberated on the rusted stairway, shaking the quiet. I lighted on the sidewalk and looked up at the sky. There was a soft whir, and half a dozen starlings burst from the crisscrossing telephone wires. The charcoal-wash clouds streamed above, and the cables moaned in the wind. A tendril of sable-brown hair flicked out of my tired ponytail and crossed my vision. I pulled it behind my ear and ducked into the wind.

  I lived out of town, but it was only a fifteen-minute walk from the studio. I didn’t bother to drive this time of year. Perhaps I should have, today. The storm wasn’t here yet, though. It wasn’t due here until tomorrow. I shoved my hands into my pockets and blew down the road into the gentle undulating hills outside of town.

  My house is hidden in a young brushy woodland in the middle of a neighborhood of hay and bean fields. My town is so small, the roads turn to gravel only a couple of miles out. On the curve at the very edge of town stands a huge, mostly debarked ash tree. It’s stood there for a hundred years, probably. Now and then a long-dead limb drops into the road. But I don’t think it’s ever been struck by lightning.

Braving the wind, I lifted my wary eyes to the old tree as I approached it. There was a monstrous bird—at least I took it to be a bird—perched on the tree. It was perfectly still, besides the rustle of feathers in the wind, and it faced away from me, overlooking the soy field. The plumage was sooty black and deep oily slate. The tail– like a peacock’s—cascaded all the way to the ground. The bird itself must have stood almost as tall as me. Presently, it turned its double-crested head over its aquiline shoulders. The eyes were dark and placid–oversized, like a nightjar’s.

  I couldn’t tell if it was looking at me. It didn’t respond like a bird would. The wind fluttered the horn-like crests that flanked its head, and it raised them slightly, like a pair of folding fans. It turned back a bit and gave me a profile, staring out into the horizon.

  I had imagined it, of course.

  The day trailed off into night. Still quiet. I sat in my kitchen watching the gray darken outside. A flock of pigeons careened through the sky in search of some barn loft or silo to roost in. They batted out of sight and the dreary sky was empty again. I stirred honey into my tea, watching it slowly dissolve. If I listened closely, I could hear the musical note the second hand struck with each mechanical twitch. The house went dark around me.

Resigning at last to the close of the day, I got up and prepared for bed. Why did I always feel so let down at the end of every day? Each was just like the one before it, lonely, confusing, and directionless. I always dreamed of a solitary life, but I had never imagined it was possible to be this alone. I saw my students once a week. Not that I particularly liked teaching, but it was something. I guess it distracted from the strange sense that I was falling slowly, with nothing ever to catch me. Falling into another world where everything was silent and uncomprehending.   

  I remember trying to analyze the sound without opening my eyes before I was fully awake. At first, I was sure it was wind, but when I sat up and looked out the twilit window, everything was still. Thunder swelled and broke through the resonant thrum. Maybe it was wind. Faraway wind. It was about four in the morning. My feet dropped to the floor, and I crossed the room to open the window. A scowl pulled at my waking eyes. It had to be the storm on its way here.

  I pressed my hands against the rough wooden frame, about to thrust the window upward, but there I stopped. What was that?

  Through the deep blue of the morning, beyond the mottled shrubbery at the edge of the lawn something huge and white was closing in. Smoke? No, it was too dense, and it didn’t rise, it fell. In fact, it cascaded down out of the filmy sky, and advanced like a slow ghostly tidal-wave. I could only think something bizarre must be happening with the atmospheric pressure—forcing the clouds to dive suddenly from their natural altitude and crawl along the earth.

  But what was it really? I needed to see the whole sky. That sound wasn’t my imagination, and it was growing louder with the passage of time. There were overtones now, like bowed glass, almost music. I made my way through the house, eyes always on the glowing windows, to the back door. There I paused, listening, staring through the glass. The fog was coming through the edge of the brushy border of the yard now, seeping in through the dark foliage, spilling out across the twinkling grass. I stepped out onto the back porch.

  Thunder purred. I scowled up at the sky. The air overhead was clear and dry until the cloud blanket. I tucked my hands under my arms and tiptoed down the damp steps and into the grass. A few paces out, I stopped again and scowled at the cloud coming down. My gaze followed it as it poured over some invisible ledge in the sky a few miles away all the way to the gnarled apple tree halfway between me and the edge of the yard. The fog continued at a walking pace, gradually dissolving the tree and the borders of the lawn. 

  By the time I looked over my shoulder, the house had vanished. Now and then, a shadow in the fog revealed the line of the roof, but aside from that, I might have been anywhere. I scowled back in the direction of the oncoming cloud. Certainly nothing to see that way anymore. But wait.

  There was something. Something dark looming an uncertain distance from where I stood. I leaned toward it and took a step forward.

  And the ground gave like thin ice.

  I fell back on the heels of my hands. Pain jarred through my shoulders and my head cleared. The fog flicked away, and with it, everything. I pushed myself upright and sat staring around at the vastness, at the infinite sky, and the trackless glass prairie that swept out around me for miles and miles. I drew a breath out of the lightly dancing wind and slowly got to my feet.

On to part 2?

Categories
Dreamscape IN series

Dreamscape, IN: prologue

Last night I climbed out onto the roof outside my bedroom window as I almost always do just before sunset late in the summer. I’m holding onto something. I realize this.

School will start in a couple of weeks. I’m seventeen. I have to go back one more time. I wanted to see the clouds and wonder at the way they catch the last of the light as the sun slides over the curve of the earth. Last night they were soft and feathery, but some evenings they’re solid mountains, glowing with the color of the inside of a barely-ripe peach. I love to watch the jets glinting along their soaring courses to somewhere…I don’t know where they’re going. They always pass high over Dreamscape. They don’t know this town exists.

Few do. Dreamscape hangs suspended in a misty netherworld between now and the future, between hope and whatever comes next. Few stay here as long as I have. But it’s such a beautiful place. Especially in the evenings in late summer when the last dreams of the season are beginning to fade again.

The feeling sets in. It didn’t happen this year. Next year, maybe.

Maybe next year.

Categories
Art

I Redrew my Old Art from Years Ago

I’ve never been great about putting dates on my art.  I started digging through my old sketchbooks in search of some worthy redraw material, and discovered a big 8 ½” x 11 ½” spiralbound. Flipping through its smeary pages, I found sporadic dates ranging mostly from late 2008 to 2009. What’s interesting about this era is, it was the beginning of my more serious writing days. I started writing my debut sci-fi trilogy in ’08. As you can imagine, there was a lot of art related to that story in this sketchbook.

In fact, there was so much I thought it would be better to dedicate a whole future post just to Stardrift Trilogy art redraws eventually. For this post, I decided to pick drawings that stood alone. There are five. Let’s have a look at them now.

Girl T-Posing in a Field

Some of these drawings had titles, but this one didn’t, so that’s my title, now. I have a lot of comments about this one. First off, why in the world did I choose that angle on the face? With the head tilted back like that? That is not an easy angle. It actually isn’t even an intermediate angle, but here we are. I would like to congratulate my younger self for not shying away from the anatomy here. I think I remember studying this pose in the mirror so that I got the ins and outs of the arm-muscles right, and it shows.

Obviously, I liked the concept and vibe of this picture. That’s why I choose to redraw it. She’s actually most likely not t-posing, but probably dancing or something, judging by the hair and clothing movement. So, let’s look at my redraw.

The Redraw

This was the first of the drawings I redid, and I was excited to realize, for the first time I actually have developed a style. Clearly, I learned something about how I like to depict hair. Aside from a little more confidence in the foreshortening on the face (I still don’t like the angle) I think the hair is the clearest improvement you can see looking at the two images side-by-side.

Honestly, she looks happier in the first one. But this first redraw inspired me to move on to the next and see what else I had learned over the years.

Smug Girl from Visaclosure

So, I cheated a tiny bit here, because Visaclosure is in fact a planet from the Stardrift Trilogy and I said I was going to save that for later, but since this isn’t an actual character from the books, I decided to go ahead and include her. First off, this is not a proper way to sit wearing a dress, but clearly she could care less. Afterall, I probably wouldn’t care about much if I lived on Visaclosure either. It’s very sparsely populated and every human settlement established there quickly goes back to nature since everything on the planet grows extremely fast.

The hands and feet could use a little more effort, I think. A bad habit I had, and honestly still have, is trying to draw faces on a scale that’s way too small to expect much. This face is under an inch from chin to hairline. It’s really hard to work that small. I tried to draw a little bigger the second time around.

The Redraw

Okay, so it’s kind of an illusion if the face looks any bigger here. I measured, and it actually isn’t. But obviously I got better at drawing faces overall, and was able to get something a lot more human looking into that inch of paper this time. Once again, you can see I figured out how I like to stylize my faces and figures now. I’ve outgrown my ghost stage as well, and I actually know how to put a little pressure on the pencil, which is kind of a plus for people trying to see my art.

I also thought it was funny that she has a similar little thing on her shoulder as the girl in the field. I’m not sure what my obsession with little metal rings as sleeve-ornaments was about.

The confidence is the biggest difference here. Everything about the second piece is much more intentional. And the girl looks a lot more like somebody you might actually see.

Thunderbird, the horse

Thunderbird was my imaginary horse growing up. What? You didn’t have an imaginary horse growing up? She was a blue roan mustang with a stubborn, fiery temperament. She was also my warhorse, but we’ll get to that later. Anyway, I almost think I wasn’t looking at a reference picture for this, so it’s pretty good, considering. But I don’t know what I was doing with the eye. That’s not how horses’ eyes look. Also, is that her other ear coming out from behind her forehead? Because I don’t think that should be visible.

The Redraw

Once again—the hair. Also, I am no longer a ghost, you’re welcome. Though I’m still not super confident with equine anatomy, (and once again was not using a reference) you can see that my understanding for the forms clearly has improved. Another thing I though was interesting about this picture is the way you could still see my stylization carried over from my human drawings, even though my subject was an animal rendered more thoroughly than the previous drawings.

Kids, don’t be afraid of putting some graphite on your paper. Draw hard lines. Shade things in. Your future self will thank you.

Mists of Time

This one had a title. I suspect this is another depiction of a scene on Visaclosure. I loved the aesthetics of that world so much. We have here, an ancient time-keeper—apparently this past civilization divided their day into tenths. I don’t have a lot to say about this picture. I just wanted to see if I had gotten any better at drawing environments.

The Redraw

And I think I have. It’s a lot easier to understand the landscape and distances shown in this second picture. I also was a lot more patient about filling in the foliage and adding details for believability. Forms are a lot more solid and there’s good depth contrast between the foreground and the background.

I changed the design of the vines in this one. I think they were supposed to be opal vines—aggressive low-growing vines with little pearlescent white fruit. They pose a major tripping hazard in the undergrowth. The second picture is more how I imagined them in Stardrift.

Self-Portrait as a Warrior

And now, another episode from my childhood. My siblings and I were very into imaginative play growing up. We had a war that literally went on for years. There were a bunch of made-up characters, locations, and political situations involved—not to mention talking gorillas with swords. They were bad guys. Anyway, I eventually became a commander for some reason (and Thunderbird was my warhorse, as you might recall.) I thought I was cool, but I was probably pretty annoying to work with—always going rouge, had a petty rivalry with another officer who was better at winning over the higherups. It was so fun.

Anyway. I found this picture, which I clearly wasn’t happy with at the time. When I noticed I had literally promised myself to try it again later, (in writing at the bottom of the page) I decided this was the time.

The Redraw

I think little me would have been really pleased. Here we have a lip-curling frizzy-haired little fighter who actually knows how to sit on a rock.

I kind of want to draw my old rival, now. I never really did get a satisfactory picture of him, and he was kind of a good-looking kid, to be fair.

Improvement?

I realized something as I was looking at these drawings. Yes, I have gotten visibly better and have learned to more accurately produce the things I see in my head. Yes, my confidence has increased, and I like the way my style has developed. But there was another thing I realized from this activity. It wasn’t about my art.

It was about my writing. I’ve been writing fiction for fifteen years now, and somehow I have tricked myself into thinking I haven’t improved much at all. But this is how much I’ve improved in art over that time—and I wasn’t even drawing every day. I wasn’t feverishly studying and pushing myself to the next level year after year. But I improved massively.

And I think I haven’t improved at other things? Writing, which I’ve been aggressively fighting to uplevel almost every day? Life in general, after all this experience?

Don’t doubt you’re getting better at the things you love, everybody. You won’t always feel it. You’ll doubt yourself more often than not. But you are getting better, and you’ve already come so far.

Categories
announcements

The NEW Direction of UnsweetenedDarjeeling.com

I have decided to do something completely different with this blog. I’ve decided to wreck its entire commercial potential as well as its community-building potential and make it a type of blog I can’t even find a niche name for. It’s not going to be an author blog anymore. But it’s not really going to be an art blog either. It’s not going to be a ‘life-updates’ type of blog, or a devotional blog, or a lifestyle blog or anything you’re used to seeing.

UnsweetenedDarjeeling.com is going to go from a useful educational writing blog to an entertaining and hopefully inspiring outlet for all kinds of creative output. It’s definitely a risky move. I can’t even find anything online about how to run a blog like this. I’m going to have to totally wing it and figure everything out for myself.

This is a terrible idea, right? We’re kind of doomed, aren’t we?

Not if you read on. Not if you find anything here that entertains or inspires you and are interested enough to seek out more.

What kind of content can you expect now?

I have no shortage of ideas for what to share with you here. I’ll be sure to put my best efforts into learning how to create the most engaging content I can in this new style. I won’t be droning on dully about my WIPs or doing random sketch-dumps and calling it a post. Writing great blogposts is an art in itself, and I intend to perfect it.

What type of post will likely dominate UnsweetenedDarjeeling.com going forward?

  • Fiction Posts

I’m really excited about this. I’ve got some specific things planned, which I’ll talk about in a second. Probably about two-thirds of the posts on UnsweetenedDarjeeling.com will be fiction—like my own personal Wattpad website. I’ll do flash-fiction, bonus material from my books, and short-run as well as long-running serial stories. Some will be regular, but others will have random posting schedules to keep you guessing. I’m looking forward to the freedom and variety I’ll get to enjoy writing shorter more informal work. You’ll be seeing some brand-new worlds open up.

Here and there, I’ll do other types of posts, including:

  • Art Posts

Like I said, no sketch-dumps or single-picture with no caption posts. I want to do side-by-side comparisons of redraws of my old art, detailed character-design sheets and intros to characters (you’ll get to see some of my book characters in vivid detail and full-color for the first time!) my art-journaling pages and processes, sketchbook tours with full commentary, etc.

  • Tutorials

No, I’m not cutting this category completely. Gotta do something to keep Pinterest happy, right? But probably not a lot of writing how-to. Things like multimedia art-journaling, beating creative block, and creating inspiring creative workspaces are in the cards. I’ll probably branch out into other things as my vision gets clearer.

  • Challenges and New Media

I want to become more creatively adventurous. I want to try to do stuff I’m terrible at and see if I like it. Whether it’s creating art from random prompts using random materials, trying to learn a brand-new medium or technique in a set amount of time, or something significantly crazier, I want to take a tip or two from the “I tried____” trend and dive into some new and exciting experiences.

And now, I’d like to introduce the first serial fiction series ever to come to UnsweetenedDarjeeling.com.

Dreamscape, IN: a flash-fiction series

“Everything life has to offer can be gotten by accident.”

This is an ongoing flash-fiction series written completely on the fly. Not so much a story as an ethereal rhapsody of reoccurring themes and images haunting one main character. Anything can happen from episode to episode. Read one. Read every other one. Go back and read them all if you’d like. The story is whatever you remember when you wake up.

What’s particularly unique about Dreamscape, IN is I’ve planned it to be a multimedia series. That means some episodes will be mostly writing, but will probably include illustrations. Some will feature multiple more detailed images with snippets of prose between them. Still others will lapse almost completely into webcomic form—some of which will be nearly wordless.

It’s the story of a teenage girl living in some undefined Indiana town in the Great Lakes area. The visuals will be pretty, a bit lonely, sometimes surreal. Dreamscape isn’t a real town. It’s a place she goes in her mind where there’s always the hope of something more to be had but no guaranteed way to get to it. I think, when you’ve read a few episodes, you’ll start to remember you’ve been to Dreamscape, too.

The prologue will be released on 8/11/23, so there’s something to look forward too. Hopefully, episodes will come out weekly.

What’s Next?

We’re about to jump into the regular posting schedule! Keep an eye open for my next post where I will be redrawing my art from years ago. Did I improve? Did I develop a distinctive style? Did I used to have significantly cooler ideas for things to draw?! Find out on 8/7/23!

One More Thing:

So, I’ve tried a lot of different creative and artistic media throughout my life. I’ve only actually gotten good at a few of them and there still some I’ve never tried at all. In the comment section, throw out all your best guesses on which ones I’ve never tried before. Go wild. I’ll tell you if you’re right or wrong. If you can hit on one I haven’t tried, maybe I’ll use it to challenge myself and report how it went in a later post.

Categories
Christianity & Creativity

Does God Use Entertainers?

Unfortunately, if you struggle long enough as a Christian artist, you’ll probably eventually go from asking, “Is it because I’m not a good enough artist?” to “Is it because I’m not a good enough Christian?”

Over the past couple of years, I’ve become ever more strongly aware of the power artists have. I’ve been watching other artists and discovering what I want to do and what I don’t want to do with this power. I find in the Christian author community, there are really three approaches people tend to take to making sure their work counts.

An author has a platform. And to make the most responsible and impactful use of it, she needs to be at least one of these three things:

  • Teacher: a practical mentor helping others become better for the glory of God
  • Preacher: a voice of truth using art to teach moral lessons
  • Activist: an advocate using art to raise awareness and inspire action

The Problem

These are all very good things to be. For years, I tried to find out which vocation best suited my skills and personality. I tried teaching. This blog used to be dedicated mainly to writing tutorials and essays detailing what I had learned studying the craft. But honestly, I felt a little bored writing them. What’s more, I didn’t feel qualified since my techniques and insights were constantly changing.

I’ve never been much for preaching through my art. I hope my work reflects eternal truth and provokes thought in my readers, but I’m never sure exactly what I’m trying to say. Most of the time, I’m just vibing with a vibe and hoping it comes out pretty. I’m shallow like that.

Then there’s the big one. It’s pretty much considered irresponsible and cowardly not to be an activist these days. If you have any platform at all, you really need to be speaking out on The Things. There’s way too much wrong in the world for anybody not to. So, of course I needed to be an advocate for justice.

But I did not want to.

And this is where the guilt comes in. I didn’t want to repost things. I didn’t want to join movements. I didn’t want to create propaganda with my art. For a long time, I thought this was wrong of me. They say if you’re silent, you’re part of the problem.

Should I have just done it?

It seemed selfish. It seemed weak and cowardly. I was supposed to style myself as a warrior and dive into the fray wielding my weapon—creative art. I mean, I’m literally a Christian dystopian author. How could I not go into the battle of social and cultural issues? Isn’t that what the genre is for?

But I didn’t want to do that to my art. I didn’t want to be known for my views and opinions. I didn’t even want to be known for my morals. (!?) I’m not a role-model and I wouldn’t want anyone looking up to me as a standard—for literally anything. I didn’t want to use my platform to put my creative life on display as an illustration of my ideology. The thought of taking the stage that way paralyzed my brain.

People would start following me for my beliefs and my stances on issues rather than for my work. My career would be swallowed up. Sure, I would probably get a lot more attention if I spoke on hot-button topics. But it would almost certainly destroy my love for sharing my art.

But if I didn’t take a stand, was I really doing anything for my true mission here on earth? Was I ignoring God’s call? Was I rendering my work meaningless?

More than anything, I wanted God to use my work. Could He still use it if I refused to teach, preach, or fight for justice?

The Entertainer

Entertainment. Pop-culture. Distractions from what really matters in life. I engage in it pretty much every day—always chasing that temporary high of a song with a great beat-drop or an atmosphere that gets me out of this monotonous headache called reality. I want to laugh and dream and borrow emotions from other people’s hearts until I can feel again. I want somebody to articulate things I couldn’t quite grasp before and remind me I’m not alone.

What a waste of time.

And yet, it was in the middle of my time-wasting that I discovered something that would begin to open my eyes to my true mission as a creative. God showed me something beautiful—something that gave me hope and a new sense of meaning for what he was asking me to do.

And who did He use to reveal this to me?

A kpop idol.

Doing it all wrong

This was not the correct way for me to learn deep truths, was it? Somebody should have told God that’s not how it’s supposed to be done. You don’t use messed-up, secular pop star boys in heavy eyeliner to inspire revelations. Well, who’s gonna tell Him that?

Turns out He can use whatever He wants. Even artists who aren’t teachers, preachers, or activists. He can use people who might never even have invited Him into their creative work. He can work through anyone. And he does. He probably works through everyone, at least once.

I was sitting around worrying that somehow my art wasn’t going to point anyone to God and would languish in meaningless darkness until it disappeared in the ashes of time. I thought maybe it was because I was too greedy or jealous, or scared, or self-absorbed to do what I was meant to do.

I thought I was going to completely fail because I didn’t follow a very particular method of using my platform and beating my work into a very particular mold and He dropped an artist from an extremely different situation in front of my face and showed me something no one in the Christian author community ever could have.

Something Beautiful

Art can be used in many ways. Yes, it can preach truth or inspire action. It can be a powerful vehicle for driving the culture in a certain direction or bringing injustices to light. But that’s not all it was meant to do.

I could rant for a lot longer about what I think entertainment could be if more Christians would realize it had value in itself. It might be a bit of a controversial opinion, but I’m not sure we were supposed to focus on the dead-seriousness of life every waking minute. Of course, retreating into the world of entertainment can be overdone. Everything can be overdone. Even doing good work in the real world will eventually burn you to the ground if you never step back from it. Constant battle has destroyed too many people.

Art can be a means of deep connection to lift spirits, ease loneliness, and bring attention to things the world tries to rush past. We need the escape and the playfulness it can offer. We can grow and learn through the secret doors it opens inside us.  

Ultimately, art is communication. For me, it’s a way to reach out to a world that is becoming increasingly more isolated, alienated, segregated and alone and tell anyone who’s listening they’re still alive. There’s still hope, still laughter, still room for dreamers. And I want to show them something.

I want to show them something I saw in my mind. It was fascinating. It was beautiful. Maybe it even meant something, I don’t know. But I want to share it. And that’s why I’m going to start sharing it right here.

The New UnsweetenedDarjeeling.com

In the next post, I’ll be talking in detail about what to expect from this blog from now on. But I’ll give you a quick preview here.

I’m going to branch out into a fuller range of arts. You’re going to get to see drawings and paintings and multimedia work that you’ve never seen before. There are also going to be an ongoing fiction series…but I won’t spoil anything! Stay tuned.

I’m aware that I might lose some of my audience here. I’m not going to be running a traditional author blog anymore. Like I mentioned, I’m not as interested in writing tutorials and essays about writing. It just isn’t where I am in my artist’s journey. I don’t feel like I know much anymore. But that’s fine with me, because I’ll finally get to start sharing my real love with the world—the art itself.

I hope you enjoy it.

Categories
Social Media

Why I Quit Instagram

It’s a truth universally acknowledged that an unknown indie author trying to gain a readership must be in want of a social media presence.

Social media has become so central to any business plan, you sound crazy the moment you question if it’s actually necessary. Of course it is. In fact, normal people who aren’t trying to promote a book can’t seem to do without it. It makes you less normal if you try to give it up.

Don’t like it? Learn to deal with it. You simply can’t go without social media if you want to gain any traction in this world. Just pick one and stick to it. Post every day. How hard can it be?

Well…we’ll get to that. But let’s start with what I used to think and see how the story goes from there.

Reasons I believed I needed social media:

Platform

You have to have a platform if you want an audience. In the modern world social media just happens to be the most obvious place to collect your people. It’s also very easy to judge how you’re doing by the numbers. Everybody likes that.

Community

This is a huge buzzword. If somebody uses the word “community,” you basically can’t argue with them anymore. Community is literally the most important thing. You literally will evaporate in direct sunlight if you don’t have it as an artist. I’ve seen this happen. And where do you find your community? Social media.

Social proof

People won’t like you unless you’re already popular. Social media is a great way for anyone wondering if they should stan you to just do a quick search and find out what other people think. Most people can’t decide what they like without other people telling them, so—social media.

Staying top-of-mind

See, this is the other thing. Apparently, people won’t think about anything unless it’s right in front of their glassy eyeballs—preferably on a small screen. If you want to live rent-free in anybody’s shabby-chic attic space, you have to pop up in their notifications every single day. You will be evicted and forgotten otherwise, so get on the ticktoks and start lip-syncing like an idiot.

Lastly, it’s free, it’s accessible, and everybody else is doing it. Why not?

Why not?

The downward spiral

Because it almost always takes a turn, that’s why.

Actually, I was always skeptical of social media. It wasn’t until February of 2020 I finally dived into Instagram. It was pretty fun at first, but as I started to accumulate a follower and following list, the pressure began to build.

At first, I told myself it would be worth it. I would find my people here, make connections, grow my readership. I wouldn’t be alone in my work anymore. The stress that came with it was just part of the job.

But the demand for content was becoming draining. Shutting off my creative brain and mass-batching piles of easy-reading captions was not a skill I had. I’m not really a “thought-of-the-day” person. This may surprise you, but sometimes I go days without having any thoughts at all.

I had to do it for the books

The deep desire to see my books reach their audience was at the heart of all this. It was like a toxic marriage holding out for the sake of the kids. But the sad truth was, it wasn’t doing much for readership. Not for the books. Not for this blog.

Something people don’t often acknowledge is the fact that people on social media rarely get off. That is, if you leave a link to your latest blog post in your story, most if not all the people watching will just tap through to the next story. Secondly, people will follow other people on Instagram and never bother to find them anywhere else. They simply don’t care that much.

My conversion rates were a flatline. My followers were not buying. Okay. So maybe it’s not about conversion. Maybe it really is about community.

Toxic conditions develop

Even in the best communities, social media is a breeding-ground for toxicity. And some people can swim right through the polluted waters and never so much as break out. Then there are those who literally die.

But the toxins build up in users minds. For me, it was that constant buzz of productivity, hustle, success. It was the noise of other authors who seemed to do everything correctly against all odds. Not only that, they also held all the correct opinions, and, being wordsmiths, were excellent at sharing them.

Not only was everyone always on the ball in their author lives, they also knew what mattered in the rest of life and were doing quite well in those departments too. And the stories ran on and on—these other authors were quick to display their checked-off to-do lists at 11 a.m., their Bible-study routines, their day-jobs, their family lives, their “hectic” yet somehow flawless schedules were constantly blurring through my exhausted brain.

Now and then I stopped to wonder why people needed to share all those things with the world. It’s all very boring to watch from the outside. And what does it have to do with anything? But all these other authors were what I was supposed to be. I should be doing the same thing myself.

I tried harder–it got worse

But I had to keep up. A breakthrough was just around the corner if I could just survive the turn. Afterall, I hadn’t been on Instagram long at all compared to many people. People who were patient and showed stamina eventually blew up. People who spoke out on the right things and had their hearts in the right place were rewarded. They would find their people. They would grow. They were putting in a lot more work than I was.

You get what you earn. I was just underperforming. If you’re a good steward of what you have, you’ll be given more. I saw it preached again and again by accounts that were doing well. There was no secret. I just needed to try harder.

Then one day, I realized I didn’t want to. I had nearly lost my desire to do anything at all. My writing was suffering. I was overworking and isolating myself. Whenever I tried to do anything else I felt guilty for not working on my Instagram. I was addicted to checking in on the community, desperately trying to stay current on other authors’ accomplishments to make up for the fact I had nothing to say about my own.

Long and short of it was, I had to choose between my sanity and creative happiness and the Instagram community. My physical and mental health was collapsing, and I was closer than ever to completely losing my author career.

So, I quit.

What happened when I quit?

Silence

It felt weird. For years I had always been up to date on this circle of authors’ daily progress. I always knew what projects were about to launch and what challenges people were participating in. Now, there was nothing. There was me and my offline laptop shut away in my room trying to write.

I had been sort of living vicariously through them. Their forward motion created a sense of movement in my creative life, even though my wheels were spinning. Now I was alone with my own stillness.

Loneliness

Social media creates a sense of togetherness in isolated people. Cut it off and what have you got? Nothing, it turns out. Instagram doesn’t really miss you when you’re gone. And I realized how I probably wouldn’t have even gotten into that circle in real life. It’s nothing against them. It’s just true. I don’t get into circles in real life.

I realized how much I had been missing my family. I was always alone. These cyber voices coming from the distance had distracted me from the fact that I was far too alone. I should have spent more time with my family. No wonder I was depressed.

Confusion

I was pretty disoriented. For years I had been pushing toward the goal of breaking into the online author community, believing it was the key to success. Now, I had to rethink my strategy.

Maybe teaming up with a big band of peers was the only way my life’s dream could ever become a reality. But I had given that up. I still wanted to be an author. I didn’t know what to do.

Frustration

My writing was trash. It took forever. The final product was haphazard and unprofessional. Why would anybody read it?

I had hoped all my artistic frustrations would magically dissolve when I quit Instagram somehow. Of course, they didn’t. They didn’t live on Instagram, they lived in my head.

Introspection

Who am I as a creative? What am I truly trying to do?

I started to ask myself questions. If I had five thousand five-star reviews on Goodreads and Amazon, what would I still be striving for? Not six thousand. That was the wrong answer. Was I doing something wrong by not trying to link my books to relevant issues and push my readers to take action against the injustices of today? Were my stories unimportant? Was I just too self-centered as an author?

Finally, I asked myself the real question:

If Jesus were coming within the next few years, what should I be doing?

And the answer came back loud and clear: I needed to finish the Dronefall series.

Inspiration

I didn’t try to analyze why. Maybe my work is important for reasons I can’t even see. I suppose, to an extent, that’s true of everyone. It’s hard to see why anything matters sometimes, but if God tells you to do it, it matters. At this point, I had one book left to write in the Dronefall series. I could do this. I had finished the other five. It was time to write.

And beyond that, it was time to rethink UnsweetenedDarjeeling.com. It was still important to me. But it still seemed to be entirely unimportant to everyone else out there. I began to shift my plan. I shouldn’t be writing an author-instruction type blog. I needed to try something different.

More on that to come.

Can an author and blogger survive without social media?

We have yet to see how this goes. I just got back from my 9-month blogging hiatus. I’m still working on book 6 of my series. But I can tell you, even with the increased uncertainty hanging over my head having quit Instagram, my vision is clearer. My inspiration is returning. I’m entering a new stage in my adventure.

I’ll post on how this is working for me from time to time. I hope you stay around to watch.

Please join my email list before you go!

This is one of the best ways to support me in my new social media free efforts. Also, I try to write newsletters you’ll actually want to open. None of that “5% off my latest course,” kind of business. I tell stories and stuff. Sometimes there are pictures. Also, you’ll get the password to my secret library and get some random exclusive content, so just do it.

Thanks!

Categories
Uncategorized

The Hiatus is Over

All I knew was I wanted to be a blogger.

I had finally moved from Blogspot to WordPress, secured my own domain, and gone full-force into creating high-quality, original, useful content for my future readers. I wanted a place where I could share my gifts and do what I do best. For a while, I was pretty sure I could make UnsweetenedDarjeeling.com my part-time job. It felt like it was meant to be.

But something happened. In the midst of my frenzied hyper-focused determination to grow my online platform, something broke and everything suddenly stopped.

Just as I thought I was finally ready to pick up some speed, I realized my creative life had collapsed into an all-time low.

So, I quit everything.

What was UnsweetenedDarjeeling.com supposed to be?

I had been studying blogging as hard as I could in my spare time. 2020, of course, was a major trigger. It was time to change something. My blog had been on the backburner simmering for years. Now, I wanted it to become something in my life. I was ready to start making moves.

As an author, the most obvious direction to take would be to write about writing. Along with your typical writing tips and how-to posts, I also dropped the occasional essay about the deeper parts of the creative life. It all came pretty easily. After all, this was what I knew most about. This was my area of expertise. I needed to establish myself as an expert in my community, right?

Maybe if I looked like I knew what I was talking about, they would want to read my books.

Slowly losing my mind all of a sudden

Actually, it wasn’t the blog that did it to me.

It was social media. Surprise, surprise.

In the Fall of ’22, I realized my Instagram schedule and attempts to promote my blog through that means were starting to give me both figurative and literal headaches. I was thinking about it all the time. I was doing everything I knew how to promote my blog and my books through online social networking. But I was starting to lose interest in everything. The blog felt heavy and dull—another of way too many things I had to keep afloat to not get left behind.

But I needed to keep up. I needed to keep posting, keep commenting, keep connecting and grasping at every opportunity to get noticed in my online circles. My traffic remained almost non-existent. I couldn’t do enough. I should be posting more reels. I should be posting every day.

And even with my mind demanding constant action, I would still find myself looking up and realizing I hadn’t posted anything in a week or more. Other authors could keep their Instagram stories running around the clock. What was I supposed to share? What did I even have worth sharing? Why would anybody want to read my blog or my books if they didn’t even want to read my IG posts?

I wasn’t like the other indie authors I watched. They were on every day, they had developed real friendships with each other, they knew all the book-bloggers and could run 20-stop blog tours every time they released a new book. I still don’t know how they set exact book-release dates a whole year in advance. They were so organized, focused, connected, capable.

I wasn’t even writing anymore.  

The fear of losing it all

But I couldn’t stop. I had to try harder. If I just didn’t give up—if I just kept being a faithful steward of what I had been given, just kept my motives pure and my jaw set, eventually the breakthrough would come. I would get into the rhythm and find my people. My blog would thrive. I was just too impatient. It took years. I just wasn’t trusting. I was stifling my own message. I wasn’t believing in my purpose.

I wasn’t sure I actually had a purpose anymore. But I knew you should never give up. And in the social media world, you can’t disappear—not even for a few days, or you won’t be relevant anymore. They’ll forget you.

You’ll lose all your progress. People will move on. Curtain call. You burned your only chance.

Nobody was going to read my blog. Nobody needed my expertise. All these authors knew what they were doing. They knew better than I did. And if they didn’t read my blog, they wouldn’t take a chance on my books.

I needed to take a break. The stress was getting to my head.

The Hiatus Part 1: Christmas Break ’22

In October of 2022, I decided I was going to log off until January. Just a little break. I wanted to enjoy my holidays if I could. I just needed to stop thinking about it all for a while. I would come back a few weeks into the New Year all refreshed and raring to go. I needed to plan an exciting comeback.

The final months of ’22 were uneventful. I’d like to say I learned to be nicer to myself and got perspective on my true vision and self-worth during that time, but mainly I just ignored all that stuff and put it off for January to worry about. But January came around faster than it had the year before.

The Hiatus Part 2: Quitting IG and Burning Bridges

I got back on Instagram in January, prepared as I would ever be—ready to get back into business and back in touch with my circle of friends and followers. As soon as I logged on, I knew I couldn’t do it anymore.

Remember how Instagram used to be? Flatlays and filters and stuff? I liked that. I liked photography. When it started out, it was fun and fairly spontaneous for me. I didn’t really have any expectations for interaction or growth. It was also cool when I wasn’t following very many people. Obviously, I’m missing the whole point of social media. You’re supposed to use it to network and keep up with all the important people in your niche.

Suddenly, last January, I realized I hated Instagram. I hated keeping up. I couldn’t keep up. I was miles behind and out of breath already. So, I posted a final carousel explaining and left.

I told everyone all my online activity would go silent until…sometime in the future. Except my email list. That would be the only definite way to keep in touch until then. I had almost 300 followers on Instagram when I quit. Seven joined the list.

The Hiatus Part 3: Drifting and Finishing Dronefall 5

It didn’t feel like the right thing to do, after all the years I had spent trying to build my platform. For a few months, I lurked as a ghost online. Had anybody sent me a DM on Instagram? Were people unfollowing? Commenting on old posts not realizing my account was no longer active?

What was new with my author circle? Who was releasing books? Should I be buying them? I should still be supporting them, right? Wow…they’re all doing so well. Good for them…not giving up.

It was an addiction. And it was still ruining my mind. I had to drop the internet altogether. I shut everything out and focused on finishing writing Dronefall 5—only to discover I had come to hate my own writing. It didn’t matter. I had to write anyway. And I did.

I finished the first draft in the second week of May. Mindrise took longer to write than probably any novel I’ve finished since my debut works. Clicking in the final end-mark and hitting save, my first thoughts were, “Worst book ever. Finished though.”

I then went to bed. 

The Hiatus Part 4: Summer and New Dreams

Not living on Mercury is nice for several reasons, but one is we have season-changes here. I like those. Though summer isn’t my favorite time of year, I’ve come to appreciate it and let it inspire me to launch off into new things. I had a new book to write (Dronefall 6), and I wanted to learn to love writing again.

And also, I wanted to be a blogger.

That’s why I’m back.

What I Learned:

UnsweetenedDarjeeling.com is a work in progress. It’s going to keep evolving. But I think I finally learned something extremely important. I learned who my target audience is—or, rather, who they are not.

I never should have assumed my target audience was other authors. I’m really not an expert. I’m not a teacher or a coach. I’m an entertainer.

My audience isn’t that circle I’ve been trying to break into for so many years. Most of them don’t even read my genre, and I normally don’t read theirs. I’m not writing my book to impress other writers. I don’t want to get caught in a closed community of people reviewing each other’s books.

My new audience is whoever is odd enough to actually love my actual art. I want to show people the beautiful things I see in my mind and share the joy they bring me. People need to see beautiful things. They need to read stories that captivate and intrigue them. They need to notice details of life they overlooked and feel feelings that remind them they are alive and here for a reason.

If my work does any of those things for you, you’re my new target audience. Thanks for reading. I’m excited to know you exist.

What’s Next?

I’ve got three more posts ready to tell the story of the new UnsweetenedDarjeeling.com. I want to talk more specifically about my thoughts and discoveries concerning social media and why I quit. I’ll go into more detail on that in the next post.

I’ll follow that up with a post about what’s happened to my positions on how my creative life and my faith life fit together—and how I believe God uses artists even if they don’t preach or use their art to bring attention to hot-button issues.

 To wrap up this new beginning series, I’ll do a post all about the exciting things you have to look forward to on UD. Preview: you’re going to be reading a lot less of these essay-type posts in the future. There will be serialized short-fiction, art-heavy posts, poetry, humorous rants, and interesting project updates. Details to come!

Two Favors

Before you go, would you consider doing one, or maybe even two favors for me?

First is a major one: no, I won’t be returning to social media in person. So, if you have a platform of your own, would you consider sharing the news that this blog is back from the dead? People might even thank you later. Who knows who might end up loving this blog. Every single visitor I get here in the beginning is a huge deal to me, so thank you so much if you choose to help spread the word.

Second is easy: if you read all the way to the end of this post, you deserve to plant a flag at the summit. Consider the comment section below a guest-book or a graffiti-covered bench. If all you want to say is “(your name) was here” do exactly that.

Even you, totally random stranger who for some reason stumbled across my blog and are wondering why you read this far. Even if this post is four years old. You’re here for a reason. Please sign in.

Thank you.  

Categories
My Books

Reasons to Read The Boy Who Called the Foxes This Fall

“I’m trying to finish Dad’s song.”

  Sage looked up from her camera screen. “Huh?”

  “In the notebook Mom showed me. He left a song unfinished. Don’t tell anyone. Please? I haven’t written a song in a long time. I can’t even do it anymore.”

  “I won’t tell anybody. But why are you doing it? Seems like that wouldn’t be an easy way to start back up again. Seems like it would be easier to start with a clean slate and write something on your own.” She motioned for him to turn around and look out over the town. “Co-writing is really hard.”

  Co-writing. Yes, it was. Especially when your partner was dead. There was the constant overhanging question of whether the other writer’s vision was coming through at all. It was all the worse when you could never check in with him to ask. “I don’t have any other ideas.” He pushed his bangs back and glanced over at her. “It’s kind of—”

  “Sorry, do that again.”

  “Why are you taking portraits? I thought this was supposed to be a street-photography thing.”

  “You have to take the pictures you see. Anyway, I think you can do it. A lot of your stuff already sounds a lot like Dad’s stuff. It might take a little while to get back into it, but that’s understandable. Don’t give up on it.” She sauntered off away from him, apparently not seeing any more pictures there.

  “I wasn’t going to give up on it,” he said. And that was when he realized how close he had been to doing just that. “I was just thinking…it’s never going to be the song it was supposed to be.”

  “Cade, that’s okay. No song really is.”

                                             Excerpt from The Boy Who Called the Foxes

What is The Boy Who Called the Foxes?

The Boy Who Called The Foxes was born from one thing, really: my obsession with the cozy, brisk, dreamy, eerie, exhilaration of the autumn season. When the idea sparked, all I really knew was I wanted to write a story that would be the literary equivalent of a rich pumpkin-spice latte on a crisp October morning.

For a long time, that’s all I had. It was driving me a little crazy. I didn’t have any characters, no specific setting, no themes—I didn’t even know what genre it was going to be. But finally, the catalyst came in the form of a single image—a boy calling foxes.

The Boy

  I didn’t know a thing about the main character at first. The title came before I had a name for him. At last, I came up with Cadence Kim—a guy who was kind of in the same stage of life as I was. He was a college graduate wondering where his life had gotten him so far. He was on his way back to move in with his mom and siblings again, since his job-hunt in Chicago was going nowhere.

  But most importantly, Cade was an artist. He was a musician who couldn’t seem to live life the way everyone else thought he should. He was a sensitive person who saw the world through different eyes and wanted something it couldn’t seem to provide.

  And he had lost his father—a similar person who, though an incredibly quiet man, had influenced his family to its core.

The Vibes

Obviously, a major draw for any potential reader would be the autumn aesthetic. I know I’m not the only one who lives for those short months toward the end of the year. The descriptions are loaded with the roar of October wind, the migrating birds, the changing leaves, the cozy coffee houses, caramel apples, autumn festivals, etc. I tried to make it as immersive as possible.

While writing this book I was constantly surrounded by everything I thought could help me set the mood. I burned fall candles, drank a lot of chai, created a Pinterest board, and listened to ambient sound and playlists I curated for the project. So, the writing process itself was a kind of therapeutic experience. Almost like a vacation. I hope some of that comes through for the readers, too.

The Themes

Themes typically start emerging later in my planning for writing a book. They come from looking at my characters and their problems and their hopes and dreams. Cadence’s dreams have given way to disappointment in the beginning of the book. He’s disappointed in himself, and knows his old acquaintances are going to be let down as well. So, he spends a lot of time trying to hide from his situation and avoid confronting the changes that have rocked his world.

I think it’s something a lot of people can relate to. Especially if you were ever one of those people who everybody said had “so much potential.”  Yes, there’s so much you could do, but what will you do? A lot of us don’t actually have our whole lives tied up with a bow by the time we’re eighteen. Don’t let the YA novels fool you.

The Other Perks

Of course, I could go on and on about how this book is worth your cozy autumn reading time. It’s fun, it’s lyrically written, it’s loaded with healthy best-friend relationships between siblings, introvert problems, settings you’ll want to move to, journal entries, original song lyrics, and just a hint of otherworldliness to set it apart from other general contemporary fiction. But rather than keep you here any longer, reading a blog post, I’ll send you off to read a book instead. (You can decide for yourself whether or not it’s The Boy Who Called the Foxes.)

More On UnsweetenedDarjeeling.com:

The Rise of “Gritty” Christian Fiction

How to Survive a Creative Dry-Spell

How to Write a Book Review that Actually Helps Readers

Categories
The Artist & The Audience

How To Set Boundaries and Not Overshare Online

In the online community, there’s a lot of discussion about being honest. Being authentic. Not creating a fake idealized image of yourself to present to the world.

And yet, whether or not you straight-up lie on social media, you’re going to be faking it to some degree. Maybe not actually faking it, but you’re going to be curating  it. You are going to be presenting yourself a certain way, and you’re not going to be %100 transparent. Ever.

But is that a bad thing? If you’re a creative, you have a certain understanding that art is probably over half presentation. You choose and refine how you present your subject matter. Dumping a truckload of bricks doesn’t result in a great work of architecture. For the same reason, carefully selecting that kinds of things you share online is not just in your nature as an artist, it’s actually the smart move when you’re running a social media presence that will be connected to your work. 

Being Human Online

In case you haven’t noticed, cyberspace isn’t like the physical world. The gurus will say you need to be human on social media. What they won’t tell you is there’s a slightly different strain of humanity that rears its head there. It has the attention span of a goldfish, it gets offended like a nest of hornets, it misunderstands everything, and it needs everyone’s attention 24/7.

Nobody is human online. That’s okay, but it also means you need to think twice or three times about how you present yourself if you want to survive, keep your friends, and build your reputation on the right things.

When it comes down to it, you really don’t want to share too much of your “true self.”

Reasons why you might not want to share too much of yourself:

  • Privacy—duh

You don’t owe anyone vulnerability. That’s the hard truth. You have a right to keep certain things—anything you want—to yourself. You also don’t have to explain why. Some of it might be for your personal safety, other things could just be details you don’t feel the need to share. You might consider them unhelpful or distasteful to your audience. Or you might just be shy and reclusive. You are allowed to have those personality traits. A lot of artists do.

  • Pressure

Sometimes I feel like I have to give updates on all my projects and tell everyone approximately how soon I hope to get them done. I really want to break this habit, because it puts a lot of totally unnecessary pressure on me. Unless I’m collaborating with someone, nobody really needs that information. I’m just setting up deadlines and forcing myself to feel like my whole audience is holding me accountable, when in fact, nobody really cares that much.

Which brings me to…

  • The real risk of boring people

Okay, I know it sounds harsh, but one of the fastest ways to bore people is to talk about yourself. And the more detailed it gets, the less people ae inclined to hear you out. And you also need to pay attention to the interests of your niche. Why would anybody care what you ate today? If you’re not a health and nutrition blogger, your followers are just going to wonder what that’s got to do with anything.

I know in the age of social media, with everyone essentially making reality tv-shows out of their day-to-day existence, a lot of people have lost their sense of what should be their business only. I thought of a little test you can use that might put that in perspective.

What if the paparazzi were the ones behind the camera?

It becomes really annoying/creepy when you think about it that way. Beat it! I’m just trying to eat lunch. I’m at the gym, get off my back, would ya? I’ve had a terrible day and am literally shut in my bedroom crying—Cut. The. Cameras.

Set some hard boundaries for yourself if you ever feel pressured to overshare online. Choose some things you just won’t broadcast and stick to it. What kinds of things?

Things you might want to consider keeping to yourself:

  • Family news

Some people feel okay about updating the whole world on not just their own milestones and significant events, but also those of their family members. I draw a line here. I might not even tell Instagram if I get married—I certainly won’t be sharing endless carousels and reels of wedding pictures. It’s very standard for most people, but I’m also a little uncomfortable with the way people post pictures and updates on their babies and kids. Unless I have a private personal account, I won’t be doing that. It’s not going to happen on my author account—ever.

  • Physical and mental health

Another one I choose to avoid. It’s different if you’re a health and wellness account and the information is relevant—otherwise, that’s personal information. As an author, you won’t catch be babbling on about my latest illness, doctor’s visits, or how much weight I’ve gained or lost over the summer. My mental wellbeing is also something I prefer to keep to a very limited circle of people who care the most and could actually help me if I needed something. Though these things can affect my art and my productivity, I don’t think it’s something we should feel like we have to explain to our audience. They know we’re humans. We don’t have to prove it.

  • Travel plans

These first three points are debatable, and whether or not you share on these topics will depend on your niche. If you’re a mommy blogger it might be logical (within certain common-sense limits) to share about your kids. If you’re a health blogger, it would make sense to discuss your own health journeys. If you’re a travel-blogger, you’re probably going to talk a lot about your travels. But there is actually a practical precaution to take when you’re telling the world where you’re going to be, and when. It can become a safety issue, so use discretion.

  • Uncertain plans

Remember what I mentioned about putting unnecessary pressure on yourself? This one is hard for me, because I get very enthusiastic over newly-formed plans and if they relate to my niche—as they often do—I will be very tempted to go on Instagram and scream about them to everybody. Guys, guys, guys! I’m gonna do a thing! Read all about it! But I also change plans and timelines for plans every other day. It’s like making a promise and not being able to keep it. Even if my audience doesn’t really care, it takes the wind out of my sails and makes me feel unprofessional. I’m working on this one. Though I think a lot of creatives probably relate to my slightly manic tendencies.

  • Every little up and down

Once again—you owe it to no one to prove you’re human. If they don’t assume as much, that’s their problem, not yours. You don’t have to get on stories everyday and tell everybody exactly what you’re doing and how you feel about it every other hour. You’re having a blissful afternoon? Great. Enjoy it. You’re down in the dumps again? I actually recommend you stay as far away from social media as you can, in that case. It won’t help. Your son’s team won? Your cousin is getting engaged and you now feel like a languishing old maid, alas, alack? You’ll process all these things better without worrying about likes and comments, trust me.

  • Controversial opinions

What?! Not share controversial opinions on social media? Isn’t that what social media is for? Dividing people along ideological lines and having silent screaming matches with total strangers? Okay, so the truth is, every opinion will offend somebody, so this one can’t be completely avoided. But as an artist, I’ve prioritized being known for my work, not my opinions. If you want to be one of those artists who addresses “issues” you can do that. But choose your issues wisely, and don’t pick every possible fight. You will burn out and you will make a lot of enemies. Also, hold whatever opinions you want, but if you want to take a stand on something, make sure it’s something you don’t mind being permanently associated with. You may want to be known as an advocate for adoption, but you might not want to be too loud and outspoken on your hearty support of capital punishment, for example.  

The value of mystery and art speaking for itself

One more thing. Doesn’t anybody care about being mysterious?

Aren’t people who have their secrets, lead lives of their own, and maybe don’t voice their opinions at every opportunity automatically cooler? No?

For me, and maybe for you too, I want to be known for my work. I write books. I want people to find out about me when they read them. That way, I can share my thoughts and feelings with the world by a process that lets people experience them, not just hear about them. But most of all, I want my art to be about something bigger than me and the details of my own journey. It should be something that helps people understand themselves, the world and God.

You can make your online presence an extension of that. And as a result, you can see yourself as creating art every time you compose a new post on Instagram. And your art is whatever you want it to be.

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