Categories
The Unquiet Slumber of Ashes and Ice

The Unquiet Slumber of Ashes and Ice: part two

Part: 2/5 (read part one)

Wordcount: 1,327

Synopsis: Amy and Lyle go over the pictures from the day’s work. A restless night follows.

“Man, that’s about enough to knock me out,” said Lyle, pulling off his heavy knit cap as we staggered into the lodge at long last. None of us could really claim to be mountaineers. People who probably could had reassured us that nothing between the site and the lodge was particularly rugged. It was more rugged than any of us.

  The lodge was a sprawling building with walls like a fortress. Constructed partially from native rock and partially from massive timber, it had withstood the worst Mt. X could conjure. Yet, standing in the fire room at its heart, I could still hear the wind wailing and roaring through the saddleback. A fine grit of ice crystals raced out of the dark and dashed against the heavy glass in the windows. I untangled my musty scarf from my wet hair and unzipped my coat while Lyle conversed with our guide. The guide was a wind-burned St. Bernard of a man with a restless shock of red hair and bright blue eyes shrunken by perpetual snow-blindness. He was close-mouthed about the boy king. He only knew as much as we did.

  I was waiting for my turn with Lyle. The rest of the team broke up and migrated out to their designated places in the lodge for the night. Lyle and I had developed some rapport early on this trip. I reminded him of his sister back in Edinburgh. He was the information hub for the expedition. I’ve always liked information, especially when the inexplicable happens. Surely, Lyle had a theory.

  He bid the guide goodnight and turned to me. He could see the questions in my face, and now that the exertion of the hike had worn off, he seemed ready to talk about the day’s findings. “Got the photographs?”

  “Do you want to review them?” I asked, repositioning the strap of my camera bag on my shoulder.

  He pulled back the wet sleeve of his coat and scowled at his watch. “We’ve got time to take a look over them.”

  Good. Then we can get the whole thing out in the open. I returned to my room to change into dry clothes and pick up my laptop. It was a small room with a bed that creaked like a nest of racoons and a tiny window, plastered with snow. I emptied my camera, pocketing the memory card and leaving the battery to charge. The cold drained it fast. Lyle said to meet back in the fire-room. I grabbed my laptop and went back out.

  He was waiting for me at a table by the wall, surrounded by stapled stacks of paper and a glowing e-reader. He cleared a spot for my laptop and I joined him. As I opened the laptop I glanced toward the windows. “How bad is the storm?”

  “Bad enough that the locals admit it’s a storm. It won’t clear up until tomorrow afternoon. That will set us back a little. But what have we got?” He moved his chair over to see the screen better. I opened the camera card.

  We skipped through some general pictures of the site and moved on. He spent a while analyzing the steps we uncovered leading down into the cave the day before. He had opinions on how they were constructed, but couldn’t decide if they dated from before or after the tomb was built. They had completely uncovered the steps and were making their way into the tomb before anyone noticed the characters carved into the stone over the door. I saw them first. They were simple, angular and runic. They had found similar characters on a slab of basalt under a lake in the valley. No one had been able to translate it, and it seemed unrelated to any other finds in the area. This would be the first time we discovered a similar script.

  Someone dug up a handful of pottery just inside the door, ashes here, ashes there, fragments of a bone flute and what might have been tubular bells. Then there were the markings that first tipped off the locals that this might be the tomb of a boy king. They outlined the ghostly nearly-destroyed figure of a child with a star on his forehead.

  There were dozens of careful shots of the worn-down writing scratched on the walls. It looked different from the runes. More modern, perhaps. But still, there was no way to translate it. If only we could understand what was written on the mausoleum itself. Maybe it would explain a great deal.

  We spent some time staring at the sheepskin with the crest painted on it. Little remained of the pigment. There were shadowy stains where we could guess it once created images and designs. We identified traces of red and blackish pigment and a grimy yellow that Lyle said had once been green. About a quarter of the crest was still visible. It was a wreath of foliage with a star hanging over it. I could make out the faded outline of a bird, or some winged creature in the middle of the wreath. It took about five minutes for Lyle to see it. He might have been stalling.

  I clicked to the next image and it hit me deep in the chest like an electric pulse again. There was the child sleeping in his crypt. “He’s so perfect.” It was all I could think to say yet. I glanced sideways at Lyle. He gazed mutely into the screen.

  “If the bog mummies could see this.” He sat back in his chair and rubbed his fingers together. “The construction methods on the crypt date from the bronze age. We haven’t got much reference for the script, but it’s safe to say with the changes we see in it that this tomb was in existence and possibly a pilgrimage for these people for a long time. It sure would be nice if we could translate some of it. What do you suppose they had to say about this kid?”

  We moved on. No one seemed to have much to say about this kid anymore. But I would have liked to know what we all were thinking when we settled into our rooms that night.

  As for me, my mind refused to stop. At about one a.m. something occurred to me. What if this society had only ever had one boy king? Supposing in some tender early time in the establishment of their civilization, somehow this child became their adored ruler? At his tragic premature passing, his people had embalmed him through some infallible method, lost to science. In that mountainside tomb, they continued to pay tribute to a dead king—their eternal ceremonial monarch, and the boy-king of legend.

  A strange move for a budding civilization, but maybe a lucky one, in the end. A dead king had no reason to go to war, and no lust for conquest. Sometimes the best thing these little civilizations could do was keep to themselves.

  At around two, the wind was howling unbelievably loud and the little heater in my room was barely sufficient to fight the chill of Mt. X. I decided to get up and seek out that huge central open fireplace that heated the lodge like a lurking volcano. Surely, I wasn’t the only one struggling to sleep through this wind.

  The fireplace room was wonderfully warm, but deserted. So, I contented myself with the company of some hot chocolate and sank into the corner of one of the semicircular couches ringing the fire. The heat was already making me sleepier than I had been in my bed, and I propped my feet on the edge of the fire ring. The wind moaned outside in the dark and I thought of the cave in the mountainside, with the cuneiform writing and the bone flute fragments…and the ashes.

  And a child’s voice woke me saying, “I can’t sleep.”

Categories
The Unquiet Slumber of Ashes and Ice

The Unquiet Slumber of Ashes and Ice: part one

Part: 1/5

Wordcount: 1,120

Synopsis: A photographer working on an archaeological site uncovers a mysterious tomb.

They had found the tomb of a boy king. Almost all cultures have a legend of a boy king at some point, like the lady warrior, or the prophet bard. The most notable thing about this lost mountain people was that they always had a boy king. Or so tradition said. What became of these monarchs when they grew up, no one knew.

  We waited until winter. It had been a summertime avalanche that uncovered the site. Everyone was familiar with the seasonal rhythm of the mountains. We wanted things to be a bit more stable before we ventured up to the saddleback of Mt. X to excavate. I couldn’t blame the local people for not recognizing the momentum of their discovery. I didn’t either—not until I had spent my whole flight reading through the stack of reports on the ancient people who lived and died in that mountain range six-thousand years ago.

  The walls of ice and rock stifled the roar of the wind. I huddled in the shelter of the glacial battlements the avalanche had partially broken down. Fiddling with my camera on my knee, I watched the slow progress of chisels on the ancient seal of the royal mausoleum. I had photographed so many sites before, but I never had the sophistication it took to see the profundity in faded clay beads and shards of pottery. Skeletal remains were only marginally more interesting. I never did understand what was so sacred about ancient fire-pits. Ashes, of all things, seemed to astound archeologists the most.

  But here I was again, stiff as a corpse frozen where I perched on the icy boulders, watching, waiting for my turn to step in and record the findings. I pulled my dripping braid out of the multilayered collar of my coat, the color of winter-kill, and matted with ice from the climb. Just then, a heavy strip of rust-eaten metal cracked and fell away from the seam of the coffin. A brief silence hung in the cave and then everyone moved forward to get a grip on the edge of the lid. I stood, slipping the strap on the camera around my neck and approaching.

  Wheezing and muttering to each other, the team raised the massive stone lid and shuffled to the side to set it down on the floor of the cave. I had expected to see a second lid revealed by the first—perhaps gold-plated and ornamented with an idealized death-mask. Instead there was a curtain of sheepskin, painted with some manner of crest.

  I raised the camera, adjusting lens and flash-bulb as the rest of the team congregated again around the tomb. The nail heads crumbled away as they lifted the edge of the hide onto a sheet of plexiglass. Others freed it from the opposite side as they slid the sheet under it. Bits of leather flaked off and cracked even with their tedious caution. Slowly they lowered a second sheet to cover it, flattening the warped and brittle material between the sheets of glass. With the same extreme care, they lifted the hide from the opening of the coffin and I stepped in again, camera at the ready.

  What appeared to me in the echoing hollow of the coffin chilled my blood deeper than the mountain wind could bite.

  With the seal dated almost four-thousand years back, nothing could have made less sense than what we all saw that late afternoon in January of Two-thousand Five. But no one remembers any differently than I do, and I’ll never forget.

  He was the most beautiful child I had ever seen—eight or nine years old by my estimation—with markedly fine and regal facial features, almost resembling a young woman more than a boy. The hair that some reverent hands had arranged over his shoulders was lush and black, curling and glossy with the oil of life and health. His soft pearlescent skin filled out his face and smooth white hands, but death’s grim veil aged him beyond his living years. My fingers were ridged on my camera, but I leaned closer to observe the delicate tinge of mauve along the lines of the tremendously long lashes, and the hint of rose in the lips. He was dressed in a long white robe and an ornate silver circlet held a brilliant jewel in the center of his high forehead.

  The first comment I heard from the team was, “It’s a hoax,” another claimed it was not a body at all, but a glass figure to represent him, perhaps containing the bones. But it was the body. And by the end of the discourse, we all believed it was the body—somehow flawlessly preserved under the strange conditions of the mountainside tomb.

  “We certainly can’t move it,” Lyle was saying into his radio. “We’re going to find a way to seal the tomb back up until we can get some chemical analysts up here. We need to try to keep the conditions steady. It would be a shame, after four-thousand years—”

  “We’re not going to be able to replace the seal until we can get some plaster shipped up here. That could take a day or two,” someone said behind me.

  “We’ll see what happens then. It least it’s not going to get above fifteen degrees for the next couple of days.”

  Should they replace the lid? The lid was fragile, and without the seal, did little good. They stretched a tarp over the opening and staked it down. For the rest of the evening, we hovered over the lid, “photograph this, Amy.” “We need a picture of that.” Patterns and pictograms, nonsense in cuneiform. That child in the mausoleum Lyle leaned his back against looked like he had died minutes ago, but if we scoured the binder full of reports and collected images, perhaps we could identify the approximate era when this script was written.

  Dusk fell. We packed up and trudged back down the slope to the lodge. It was a bit of a hike to the saddleback. We probably shouldn’t have stayed out so long. Along the way the team discussed other digs, other times we’ve ventured into dangerous extreme places in the name of history and anthropology. They talked about the scripts we had found and theorized about their origins. But mostly, they talked about ashes.

  No one talked about the remains.

  All the while I kept slowing and lagging behind the others. Sometimes I stopped altogether and looked back at the bleak face behind us. I kept feeling like we had unthinkingly left something behind. But we couldn’t have. We were quite thorough clearing our equipment away. We left nothing but the tarp.

Categories
The Webspinner

The Webspinner: finale

Part: 4/4 read part one

Wordcount: 1,051

Synopsis: Late one night, the breakthrough finally comes.

For the next few days, the house was very quiet.

  They rarely saw the mute during that time. Occasionally, Falke would glance out the window and see him for a moment in the back garden. But the moment he looked away, he would vanish like a ghost. One night, vary late, he found him in the kitchen, staring into the glowing flames of the stove, perfectly still and unresponsive to anything in the present moment.

  Neither did he have tantrums anymore. He didn’t kick a single doorframe or knock so much as a paperweight off Metzdorff’s desk. Falke became almost panic-stricken several times when he couldn’t find the patient anywhere he looked. The house was large and easy to hide in for one who knew it well, but Falke was so concerned about the state of Camille’s silent mind that his dramatic imagination carried him away quickly. In spite of this, he fought with Metzdorff only once over the decision to deny Camille his thread. From then on, he was silent as Camille on the matter. Metzdorff insisted that the patient was no longer distressed, and had probably forgotten the whole episode.

  Then, two weeks later, something very strange happened. Metzdorff and Falke had spent the evening reading in the study. It grew dark outside, and a gusty wind wuthered around the Gothic peaks of the Metzdorff estate. As Falke sat, half reading, half listening to the unnerving rattling and whistling at the windows, the door opened and Camille was there. Both doctors looked up at him. He hadn’t willingly been in the same room with them since they burned the last of the thread. He entered and quietly went to sit by the window–the window with the jackdaw in it—and then, he was still.

  The doctors slowly went back to their reading.  A heavy sigh of wind trailed off into quiet for a minute and there was another sound from outside. In a tree near the window there was a nightingale. It huddled against the dripping branch in the cold, dark wind, and sung its clear chirping call into the inky night. It sung again and again, the soft voice echoing out into the stifling wind. Falke looked up from his book, scowling pensively. “Do they often sing on nights this stormy?” he asked.

“Who?”

“Nightingales.”

Metzdorf turned a page. “They’ll sing whenever another nightingale’s near enough to hear them, I suppose.” Falke sat listening to the bird out in the darkness, having forgotten the book on his lap. After several minutes, the nightingale stopped singing, or perhaps flew into the woods nearby for better shelter, and more company.  Leastwise, the wind was the only sound again. Falke looked toward the window and his eyes settled on Camille.

  Camille was gazing up into the blackness of the sky. His eyes were wide and searching. A tension had come into his face that Falke had never seen before. The young doctor rose. “Camille, are you alright?” As he spoke, a tear plummeted downthe mute’s cheek, and he hid his face. Quickly, Falke came to him and gripped his shoulder. “What’s the matter?” Suddenly, the tragedy of it all seized him. Perhaps…Camille really couldn’t tell them. They would never know. Whatever made him suffer assailed him in his own world, in isolation and silence, somewhere too far away for the rest of humanity to hear him scream.

Metzdorff now rose from his seat and stood scowling across the room, holding his book by the cover, forgotten. Then, very quietly, Camille started to cry vocally. That voice had been unheard for at least two decades. The two doctors stood for some time, paralyzed and thunderstruck. At last, Camille lifted his head again, staring once more out at the thrashing night. He sighed…and half a minute passed.

  Then, Falke said, “What’s wrong, Camille? What is it?”

  The wind died. Camille breathed heavily or a few minutes, staring out the window. He swallowed once, blinking liquidly. “The string,” he breathed.

  Falke almost choked on his breath. “You want more thread? Is that it?”

  Camille swallowed, nodding slightly.

  Falke’s eyes, enormously earnest, went to Metzdorf. “By all means!” the German burst out. “Give the man his string!” He seized Falke’s shoulder. “Falke–”

  “I’ll go tonight. I don’t mind walking in the rain.”

  “No, don’t go all the way to town, go to the neighbors. If they’re asleep wake them up. Tell them I sent you—and we’ve got to have thread.”

When morning came, the sky was still, and overcast.The light came softly, and expectantly, through the windows. The doctors came down the stairway together, cordial for the first time since they had cleared away the webs. Falke reached out his hand and stopped Metzdorf halfway down and they stood gazing at the room below. It was shrouded in Camille’s webs. The newborn sunlight filtered through weavings of gold and red and royal blue that decorated the windows, and a half-rosette of black and silver radiated from the banister. The doctors wandered through the gallery in silence, staring.

  Then there was a foot step behind them. They turned back. There stood Camille, a new spool of fawn-colored thread in his hand. He led them to the door and opened it to the misty morning. They followed him outside. For a moment, he stared at the grove of whispering willows, reviewing the distances between them. Then he leapt off the porch and ran out to them, anchoring his thread. He started to spin.

  They watched him for nearly an hour. At last he finished, thrilled and exulting in his work. He drifted back to the porch where they stood, still frozen where they had been when he started. As he went into the house he turned back to face them. He looked from one to the other, and then his eyes settled on Metzdorf. He smiled and closed the door behind him.

  “Do you suppose he’ll ever speak again?” asked Falke, at length.

  “Who knows?”

  Falke laughed to himself and started down the porch steps, going out to the willows. Metzdorf glanced back at the door, and then stared after him. Then his eyes re-focused to a ghostly orb of spider-silk, rippling gently, and shimmering with tiny globes of dew. He sighed. “Very strange.”

THE END

Categories
The Webspinner

The Webspinner: part three

Part: 3/4 read part one

Wordcount: 1,332

Synopsis: Dr. Metzdorff reaches a breaking point and tries to bring an end to the webspinning experiment.

Falke didn’t see Camille until late that night. He must have either gone outside or retreated into some far corner of the house and hidden. After an entire day quite alone in the house, Falke retired to Metzdorf’s study to pursue some of the non-academic reading he had discovered in there the other evening. He dragged an armchair up so he could cross his feet on the desk and slouched down into it, opening a novel he wondered if Metzdorf had actually read. As he got started, he heard the sound of someone shifting in the room. When he looked up, Camille was there.

  The mute stood leaning on the wall between the mahogany doorframe and the soaring bookcases. His hands hung limply at his sides and his still eyes gazed through the ornate Turkish ceiling panels. Falke stared at him for a while and then smiled, shaking his head and going back to his reading. He read through three pages before bothering to look up again. Camille hadn’t moved. He clapped the book shut. Camille jerked. “Posing for your portrait? I’ve never been good with paint.” He put the book down and took his feet off the desk. “Posing for your death-mask, are you?”

  Falke got up and stood next to him. Camille looked at him the same way one might look at a drifting cloud or a passing train. Falke patted his shoulder. “Are you feeling alright? You look very tired. Maybe you ought to go to sleep.” Camille looked away and leaned his head against the bookcase. Dr. Falke pressed his lips together and scowled. He ran his hand down Camille’s sleeve and sighed, looking down at the floor. Then he walked over to the desk and opened a drawer, taking something out.  He returned to Camille and snapped his fingers in front of his face.

  Camille glanced at him, seemingly somewhat invaded, but his eyes focused on Falke’s other hand as he lifted it up. “Or maybe this would help?” It was a spool of thread.

  Camille took the string and walked away. Dr. Falke leaned out the door and watched him going off down the hallway until he turned a corner and was out of sight. He smiled.

The next morning dawned dark and Eugene Falke awakened late without the restrictions of Metzdorf’s schedule. He phlegmatically went about dressing and boiling water for coffee, not expecting to see Camille, but keeping an eye out for any webs that might have appeared overnight, nonetheless.  He sat down to coffee and mentally remarked on the heavy rain flattening the lawn outside. Then suddenly, he saw someone out there running to-and-fro among the willows. He set down his cup and leaned toward the window, staring in earnest. It was Camille. He got up and rushed out onto the doorstep.

  “Camille!” he called. “Camille? What are you doing out here?” Whatever it was, he wasn’t going to let the doctor distract him from it. He kept dodging to and fro between the trees. Falke ran out through the rain. “What are you doing?” he demanded.  Camille’s bright eyes darted back at him from behind his drenched, disheveled locks and their gazes met directly for an instant. “Spinning?” Falke asked. He had the spool in his hand, and was stringing thread back and forth between the trees. He ran back and started weaving another line back through the framework he had started.  He had established what looked exactly like the support threads of an orb web.  For a quarter of an hour, Falke stood and watched the weaver’s progress under the pouring rain. He had become so incredibly dexterous in his craft, that it took him no longer to complete the web.  

  Camille watched the end of the thread dangle from somewhere near the center of his web. Falke stood on the other side of the great circle, staring.  He looked up from the rain-beaded strings and started. Camille was trying to find his gaze. “Camille, what is this?” Falke asked. The patient didn’t answer but he came to him eyeing his creation with an artist’s discrimination. He stopped a pace away from Falke, and looked at him again. Then he looked down at the empty spool in his hand. He met the young doctor’s eyes for the third time in the past minute, and gave him the spool.  For a moment they were still. Finally,Camille turned and walked toward the house. Falke watched him go in, playing with the spool between his fingers. A smile broke over his face.

  “I didn’t leave you with instructions because I didn’t think it was necessary, Eugene. I thought you would know that I wouldn’t tolerate any more of this–”

  “But it’s fantastic, Doctor, what’s happened!” Falke leapt up from his seat. “Camille is perhaps for the first time in his life trying to contact our world. He’s reaching for it, with the help of a lot of string and an admittedly strange talent. And you absolutely must watch him. If only you would take an interest in what he does. Can’t you at least pretend?”

Metzdorff rubbed his creased forehead in dismay. “This isn’t what we want. You can’t feed the man’s obsessive mania. Can’t you see he has to speak?”

  “Why?”

  “Falke, don’t be a fool. You know you can’t survive in the world at large weaving strings in every door and window. You can’t disturb the world with nonsense and expect them to appreciate it somehow. Either we teach him to speak of he dies in an asylum, in Paris or elsewhere.”

  “I’ll take him in. He can’t be isolated from the world he’s trying so hard–in his own mysterious way–to speak to. Send him back to the asylum and he’ll never resurface. We can’t do that. Don’t you see?”

  “I see abnormal absurd behavioral handicaps that might someday be eliminated if I had the cooperation of my fellow doctors. You’re as bad as the rest of them, Falke. You have your own way of mocking my attempts. Now come. We have to take down all this string and destroy it. We can’t allow Camille to touch another spool until his madness has subsided.” He got up and went to the doorway into the wing which was shrouded by a beautiful web of silver thread, rendering it impassible. He took a handful of the thread and tore it down. “Unless you’d rather go back to Paris today. In which case, I’ll gladly pay your way.”

  Falke sighed, and went upstairs to get a pair of scissors. For the rest of the afternoon, the two doctors went about their work without further discussion. Each had sunken deeply into his own mind. Falke was still mutely arguing with Metzdorff’s authoritative decision, still wishing, with every tangled wad of string he threw into the fire, that the older doctor would stop for a moment to observe the earnest care invested into each supposedly meaningless turn and loop in the thread.

  He gritted his teeth and snipped the last line of thread hanging from a high window-frame. Gathering the ratted mass off the floor, he turned and looked up to see Camille standing there, staring down at the remains of his creation. His eyes were heavy and motionless. Falke shrugged, guilt-stricken. “I’m sorry, Camille. Doctor’s orders.”

  He went downstairs and into the kitchen where he tossed the string, like last year’s bird’s nest, into the old wood stove. When he turned around, Metzdorff was coming in with a final handful. “I think that’s all. He’s used every last spool in the house. I’ll have to be sure to get Gertrude some more before she comes back.”

As he shut the stove there was a creak from the floorboards in the doorway. They looked up and saw Camille gazing at the flames through the grill-work on the door of the stove. He didn’t look at either of the men before he turned and wandered off.

Categories
The Webspinner

The Webspinner: part 2

Part: 2/4 read part one

Wordcount: 1,203

Synopsis: The two doctors clash over the patient’s strange behavior.

Camille glanced back at the doctors, and Falke tried to catch his eyes, smiling. “Seems the housekeeper didn’t bring her sewing-box to Portugal.” Camille closed the box and sat down in an armchair near the window.  He opened his hand and looked down at the spool of thread he had for some reason taken from the box. For a while he stared at it, meditatively unwinding and re-winding several inches if string. After a long time, he rose and returned the spool to the box.

  The next morning Metzdorff and his young college breakfasted on coffee and cigars. There wasn’t word between them until Falke slumped back into his armchair and said,“You know, I don’t think there’s anything wrong with him at all.” Metzdorff looked over at him as he gazed out the window into the still morning. “He simply lives in a different realm and doesn’t care to mingle with anyone else. I believe he’s silent by choice.”

  “Dr. Falke,” said Metzdorf, “there are silent men in this world, but surely you know that living one’s entire life refusing to communicate with other people is a symptom of a disease.”

  “But there’s nothing wrong with him,” he burst out.

  The German sighed. “He doesn’t speak.”

  The discussion ended. 

  For a while there was nothing but the whispering sound of the willow branches against the window. Falke’s clear, dark eyes roved for a minute, and then settled on the jackdaw on the windowsill. He rose from his chair, scowling, and approached it as if it might fly away. “What is it, Falke?” he heard Metzdorf ask behind him. Shifting his cigar to his left hand, he reached down and ran his index finger along the thread that was wound around the bird’s bill. From there the string trailed downward through the air and over to where it connected by another loop to the mahogany stand of a globe several feet away. The thread doubled back from there and returned to the jackdaw, then back to the globe, and later on in the process it interwove with itself, looking every bit like an enormous triangle section of an orb web.

  The two psychiatrists scowled at the thread. “It must be Camille’s work,” said Falke. “I watched him discovering the thread last night.” There was a long silence and Falke walked around the web, viewing it from different perspectives. “Did the doctors at the asylum mention anything like this?”

  “No,” said Metzdorff. “Very strange.”

  Falke rose from his crouched position and his scowl lightened. “Yes. Very curious.”

  The web may have only been of passing interest if it had been an isolated event. Yet, as the time progressed, more and more such creations appeared in various corners of the house. One morning, Falke emerged from his room to find Camille in the hall, running thread to and fro between a table and the splintering window frame. Falke stood leaning on the doorframe, watching him. Camille didn’t glance at him once. He kept weaving. “This hallway is going to be impassible, little spider,” said Falke. “You’ll have to start taking these down, or we’ll be trapped in this house.”

  Camille’s eyes flitted back to him for a second, but he didn’t stop. After about five more minutes, he cut the thread between his teeth, and went downstairs. Falke stood silently gazing at the web.  He was able to duck under it and go the the other side. This was the largest yet. Metzdoff appeared beside him. He shook his head in dismay.The two went downstairs without comment.

  Day after day, Falke watched the patient spinning his webs. He spoke to him all the while, asking him questions, teasing him about his unusual hobby. The webs began to fill the house: on the stairway rails and banisters, in the corners of the study, all across windows, and the tops of doorways. They strung between walls, furniture, and woodwork. Falke studied each one as they appeared. What he found to be the strangest part was that the only room that still didn’t contain one was Camille’s room. In fact, the more Metzdorff and Falke trafficed an area, the more Camille spun webs of thread there. As doorways became ever more the sites of knew weavings, moving about in the house, as Falke had been warning the spinner, became quite difficult.

  “I’m going to be as mad as anyone in the Paris asylum if this doesn’t subside,” said Metzdorff, tapping his fingers on his coffee cup. “I didn’t think he would keep doing it for so long.”

  “Perhaps we’re already mad,” said Falke, laughing. “All along, we’ve mistaken a spider for a man.”

  “You don’t suppose it would upset him if we were to take a few of them down?” suggested Metzdorff.

  “You might try it. It might be interesting to see if it does. But really, I think things are progressing quite favorably at the time. It might not be good to disrupt the situation.”

  “How do you mean? What’s gotten better?”

  “At least now we have positive symptoms. The webs—they’re easier to study than the words he doesn’t say.”

  Metzdorf sighed. “Maybe you’re right, but the webs only confuse me. What do you think about them?”

  Falke smiled, staring at the spiraling funnel-web between two bookcases across the room. “I’m only speculating just now. But I think they mean something.”

  “Mean something?”

  “Just wait. We’ll see what else he does.”

   Time passed, and one day Falke observed that there had been no new webs lately.  “I hid the thread from him,” said Metzdorf. Falke raised his eyebrows. “I can’t stand it anymore, Eugene. I had to do it. They do something to me, psychologically.”

  “What will he do?”

  “I don’t know. I almost hope he’ll forget about the whole ridiculous obsession entirely. Listen, I want you to help me clear away these awful things.”

  Falke looked around the cobwebby parlor. “But, Metzdorf–”

  “They’re driving me mad.”

   For a while, the circumstances at the Metzdorf house seemed to ameliorate, but time progressed, and Falke sensed something else was afoot. There was a problem with Camille. He wandered through the house, pacing, and sighing and knocking things down with obvious intention. His condition worsened every day and it was easy to see that he was going into a black humor. Falke didn’t tell Metzdorf, but both silently knew it was because he couldn’t find the thread.

  In five days, the last remnants of Camille’s webs were cleared from the house. By this time, the patient didn’t eat or sleep. Neither did Metzdorf. Camille had upset an entire table at three in the morning like an angry poltergeist, rousting the German doctor from his room after his first hour of rest all night. At dawn Metzdorf set out on a weekend trip to a neighboring city. He left Falke alone to manage Camille’s ever-intensifying fits of melancholy.

  The front door closed, and Falke stood alone in the parlor. Rain tapped at the blurred window panes, and the light glowed dim and gray from outside. Falke sighed. He turned and looked up at the balcony at the top of the stairs. “Camille?” he called. “Camille?”

  There wasn’t a sound.

Categories
The Webspinner

The Webspinner: part one

Part: 1/4

Wordcount: 1,411

Synopsis: Two doctors in the 1800’s meet to discuss what to do about a mysterious patient who refuses to speak.

The cobblestone dissolved into mud half a mile from the city limits, and the carriage horse was soon pastern-deep in fast-flowing water. It yanked at the reins, cantering blindly into the splattering wind. At last it staggered to a halt, snorting at the rain running ceaselessly down its face. The carriage door flew open, smacking back against the vehicle in the clawing grip of the wind. A man sprung out into the rain and shouted thanks back at the coachman, who didn’t respond, and the storm-shy horse lost no time in turning back toward the city.

  A ways off the road and up the hill stood a three-story Gothic Revival house, peering through the cloudy branches of rustling silver willows. Too tempest-tossed to search for a path to the door, the visitor cut across the sodden lawn, zigzagging around standing water, and tripping over live branches that the storm had ripped from the willows.  He jumped over the steps, plastered himself against the door to escape the torrents, and started raking his fingers through his thick dark hair, trying to correct some of the storm’s damage before entering.

  The door opened before he knocked, and someone dragged him through it. “Falke! I didn’t expect you in this storm.” The other man closed the door behind him.

  “Then why were you waiting at the door?”

  “I saw the carriage, who else could it be?” said the owner of the house, a man whose superior intelligence was perhaps too clear in his face. “I really wouldn’t have recognized you if I hadn’t known you were coming. It’s funny to think a person like you would ever grow into a man.”

  “It seems we’ve all declined, Dr. Metzdorff. I notice you answer your own door now.” The Frenchman glanced around the vacant parlor. There was a pause and the rain tried to penetrate the window panes. Falke’s dark eyes flitted to Metzdorff’s.

  “The valet left,” said the German.“So did the housekeeper, though she claims it’s just a little family holiday in Portugal. She’ll be back in June.” Metzdorff sighed, and stroked his mustache, gazing around the parlor in his turn. “I’ll admit, he is unnerving. I’ve never harbored such a stranger in my house in my whole life. As you might imagine, we know nothing about him—how old he is, where he was born, who his parents are, if he has any living relatives…they call him Camille, but we really don’t know his name.”

  “Have you tried to speak to him?” asked Falke.

  “At every opportunity…the first few days he was here. All the time he spent in that Parisian asylum being treated like a mindless imbecile couldn’t have helped, I daresay.” He paused. “Truly fascinating…it seems that he hasn’t a notion that he even could speak—or is expected to. Not only doesn’t he speak, but he clearly has no use for written language or even the most common ability to understand postures or facial expression, let alone utilize them himself. And yet…he appears to have otherwise, a perfectly developed mind.” Metzdorff’s green eyes lifted away from the younger man’s gaze. “There’s the ghost now.” Falke turned around.

  Standing on the stairs was something that was more believably a figure in a painting than a living human. He was tall, but of a fragile build, with a cold alabaster complexion and empty, harrowing, blue eyes. Yet, he looked nothing like a madman.  He was dressed rather extravagantly, and stood like an aristocrat’s portrait. His shoulder-length red hair was impeccably groomed and combed off to one side. His hand, like a white spider, half-veiled in lace, rested on the ebony rail, inanimate.

  “He doesn’t look any more deranged than the usual Parisian coxcomb,” said Falke in a low tone. Metzdorff shook his head. He stepped toward the stairs.

  “Camille, I’d like to introduce you to Dr. Eugene Falke, from Paris. We were colleges back in ‘fourteen, when I was completing my doctorate, and he was beginning his. He’ll be staying with us for a few days.” Camille came to the bottom of the steps and passed the doctors without pausing or even looking at them. They turned and watched him as he passed through the parlor like a wisp of smoke in a draft. He disappeared through a side door and that was all that Falke saw of him until that night.

  When dusk fell, the two psychiatrists discussed the case in full. Meztdorff closed the door of his study and walked to his desk. 

  “They found Camille in the summer of eighteen-ten. Someone had dropped him off at an orphanage without giving any information on his identity or background. He should certainly have been old enough to talk by then, but he wouldn’t say a word. When this continued they had a doctor examine him, thinking perhaps he was deaf and mute. But the doctor found there to be nothing wrong with his hearing or his vocal apparatus. A year later, it became clear that his behavior was decidedly abnormal, and they took him to an asylum in Paris, where he lived until a month ago, when I took him out of it.”

  “Did they try to get him to speak in the asylum?” asked Falke, sitting down and eyeing a stuffed jackdaw on the windowsill across the room.

  “They worked as best they could with him for the first year, but after that, no one tried. In spite of his seemingly complete inability to communicate, Camille exhibited no other unusual behavior or disability. He was capable of living just as independently as a healthy person, if not more so.” Metzdorff opened a cigar box and handed one to Falke. “When I came to Paris, I was the first in over twelve years to speak to him. I told them that I was intent on correcting his problem, but they wouldn’t take it seriously. The French are so determined to outright mock everything–not you, of course.” Falke nodded. “I had no choice but to take him back to Germany if I wanted to continue my work in peace. But now that we’re here…” the German sighed and scowled at the floor. “It’s so hard to keep working when there’s no change from one day to the next. He doesn’t even look at me when I try to get his attention, unless I startle him. I can’t imagine spending a whole year talking to him like they did. It’s like talking to a man a world away.”

  There was a long pause. “You know, Dr. Metzdorff, the Parisians could be right. He may never speak,” said Falke. His dark eyes sparked brightly. “But you did the right thing to take him out of the asylum. I’m already convinced that he’s not insane.”

  At that moment, the bolt in the door jingled and Camille entered the study. He closed the door behind him and stood for a moment with his back against it, staring around at the towering shelves of leather-bound nonsense that fortified the room. “What are you doing here?” asked Metzdorff to no effect. Camille wandered over to the window and sat down beside the jackdaw. “He rarely comes in here. He doesn’t like to be around me, it seems.”

  “Maybe he likes me,” said Falke. “Camille,” he called. The patient stared out the window at the deepening dusk. “Camille,” he snapped his fingers. “Camille! Psstt!” He scowled and set his cigar down on an ash-tray. He picked up a heavy book and held it over the floor, then let it drop, flatly. Camille started and looked to see what had happened. As Falke attempted to catch his eyes, he turned back to the window.

  “I’ve gotten no further,” said Metzdorff. He took a book off his desk and set to reading it in silence.

  After a while, Camille rose from his place at the window and began wandering around the room. Falke watched him as he came across a box on one of the bookshelves. He flicked the latch and opened it. The silent blue eyes studied the contents for a while. Though Falke couldn’t see, from his vantage-point, it seemed that the box had several compartments and interior drawers. The mute paused for a moment, gazing into a compartment he had just opened. Then he lifted something out into the lamplight. Falke leaned forward and squinted to see what it was. It was a spool of black thread.

Categories
Slow Lifestyle

My Easy Unplugged Morning and Evening Routine

Can I talk about staring out windows for a second?

I’m lucky to have a window over my desk where I can stare out at the woods and down at the little alcove of my yard I’m slowly transforming into a Japanese garden. I also get a decent view of the sky, considering I do live in the woods.

I spend a lot of time staring out this window when my mind is drifting away from my work. But the best time to stare out the window is in the morning, before my brain starts working or in the evening when it starts to coast. In fact, on an ideal day, staring out the window is part of my daily routine.

It beats staring at my phone.

A phone-free routine

But here’s the thing, if you want to create a screenless non-scrolling morning or evening routine for yourself, you have to replace the old habits with new habits. Maybe you find yourself too wound-up to stare out the window for very long. I get it. Not everybody can be that chilled-out every day. So, you’ve got to give yourself a list of things you need to do before you log on for the day and after you log off for the night.

It’s just a lot easier to not do what you’re trying not to do when you have something else to do instead. So, here’ how you might want to replace the morning and evening doom-scroll.

Evening

I’m starting with the evening routine because it’s always best to prep for a good morning the night before. Also, since I’m assuming you’re reading this post more or less during the day, while you’re still awake, you’ll be able to implement the evening routine sooner anyway.

Remember, everybody’s life and needs are different, so you’ll want to customize these ideas to fit your own.

Log off after supper

Or even when you sit down to supper. This is the beginning of your evening routine. From now on you’re saying no to social media commentary on current events, blue light and endless scrolling. You now get to be fully present for the final hours of the day.

Go outside after supper

 Take a walk around the neighborhood, play with your dog, work in your garden. Go for a jog or a bike ride if you’re one of those people. Get out and enjoy golden hour. Stick around for the sunset if it looks like it’s going to be a good show.

Read and or journal

Once you’re back inside for the night, settle in with your Sleepytime tea or whatever and do some reading. The Bible or your daily devotional are good options. Just make sure you don’t cram or try to play catch-up in the evenings if you’re behind on some reading plan. You could do mornings and evenings if you’re falling behind, just don’t read for hours when you’re supposed to be winding down. You might also want to journal or read some fiction if you like those things.

Make tomorrow’s to-do list

You know you’re going to start thinking of all the things you didn’t get done today anyway, so you might as well note down what you’d like to start on tomorrow. Remember, you’re probably only going to get half of it done, but that’s tomorrow’s business. Just write it down and we’ll deal with all that in the morning.

Brush teeth, wash face, go to bed

Notice I’m not advocating filling a tub with flower petals and bath bombs, lighting candles, putting on music and doing a face-mask every night. I know these super-extra self-care ‘routines’ are popular on Pinterest, but get real. You do not have the energy and time to do that every single night. And you probably shouldn’t be doing face-masks every day. And that’s a lot of bath-bombs.

Just give yourself time to do essential hygiene before bed. Take your make-up off. Brush and floss your teeth. You know what you need to do to make sure you go to bed feeling like you take care of yourself and wake up feeling refreshed. Just do that. You can do all that other stuff some nights, but it does not need to be part of your routine.

Morning

I hate mornings. Maybe that’s why I have a very strong routine for when I wake up compared to pretty much any other time of day. My brain is not working. It needs to be able to get through the first hour or so of the day on autopilot.

Maybe you’re a little more energetic, and once again, do this your way. If you can pop out of bed at five in the morning and go for a five-mile jog before breakfast, great. But here are my suggestions if you’d rather ease into the day a little slower.

Skincare

This really helps me wake up. My morning skincare if just cleansing and moisturizing, so it doesn’t take long, but the hot and cold water on my face really clears up the grogginess. I also wake up with a headache most of the time, and it somehow takes the edge off of that a bit too. A lot of people shower in the morning, which would probably be even better, but somehow I never got into showering at a particular time of day. It’s more just whenever I think I’m done sweating or digging in the mud for a while.

Tea or coffee

Immediately after my skincare routine, I’m staggering into the kitchen seeking hot black tea. Once it’s steeped, I usually take it to my desk and drink it slowly while staring out the window. Your morning tea or coffee time could also be a good time to touch base with whoever you live with and see what plans they have for the day. I often also review and revise my to-do list at this time.

Breakfast

Some people skip breakfast. Some make whole meal of it. I’m not going to tell you what’s best, I don’t know. It probably depends. Most of the time, it’s probably best to eat something to balance your blood sugar after waking up. It’s usually fairly light for me. Scrambled eggs. Cheerios. Berries.

Go outside

My favorite thing to do after breakfast, if I don’t have to go somewhere immediately is get outside. I like to get gardening and yardwork done in the morning. There’s nothing like outdoor air to finally get you ready to get things done for the day. And if you can do some actual physical work that makes a difference, it can be very invigorating. If you’re more contemplative in the morning, going for a walk or even sitting on your porch or balcony might serve you well enough.

Then You May Log On

And only then. Wait until you’ve gone through your whole morning routine before picking up your phone and checking anything. Keep your morning routine simple and natural. Make it something you can do without a lot of decision-making or working around obstacles. You won’t even be tempted to check your phone.

You may now return to the frenzy of the online world on your own terms. You’ve set your own mood and pace for the day. You know what you need to get done. You’ve also proved to yourself you don’t need to pick up your phone every five minutes. You’re in control of your own time and ready for a great day.

Categories
Short Story

Short Story: Fly Again

Wordcount: 1,572

Synopsis: Three children discover a young man sitting under a tree sewing up a broken bird.

The wind dove down into the pastureland along the coast. It ripped its fast slender fingers through the ancient copses and stranded glacial boulders, surging and wailing in the billowing grasses, and then suddenly lifted up–straight up—and everything took flight. Foliage rolled back, baring the white knuckles of twiggy branches, clawing at the wind as the leaves broke free. Rain roared across the land, ragging like ghost-fire, blinding the sky. Amid the storm’s raucous symphony, a flare of screaming laughter burst the tingling sound-waves.

  Their canvas shoes found no traction in the streaming matted pasture. Rain dashed against their crumpled faces as they made for the trees. There were three children, out of nowhere, half-running, half-falling down the hill toward the woods. The smallest of the trio slipped when they reached the foot of the hill and dropped to the ground with a startled chirp. The oldest, in the lead, spun back while the third bounded on. “Come on, Leif.”

  “I am.” He scrambled to his feet and they went on wrestling the wind into the shelter of the trees. The first tree at the edge of the field was a burr oak two stories tall. The children raced, wild and breathless to the shelter of its canopy. And suddenly there was no storm.

  “Why did you want to go out when the sky was so dark?” asked the middle girl—about seven, and apparently intent on growing up to be a curly horse. She wiped the rain out of her eye and pulled back her springy blonde hair.

  “Ember said it wouldn’t rain,” said Leif.

  “I said it wouldn’t storm,” the oldest replied. “You and Persephone were all wet anyway. You went after the mudskippers.” There was nothing left of Ember’s braid at this point, so she slipped the band off the dripping ends of her wind-beaten flax hair and wrapped it around her boney wrist. 

  Leif seemed to have forgotten the mudskippers and stared at a point somewhere behind Ember and Persephone. He had a rather worried expression even when he was laughing and playing, but just now, he appeared to be truly perplexed by something. “What?” asked Persephone, as the sisters turned back to where his focus rested.

  Someone sat against the dark mossy tree-trunk. Persephone passed a questioning look to her older sister. “Let’s see,” said Ember. The three moved in toward the tree and the boy sitting on the roots.

  He didn’t look up when they approached. Apparently, he had discovered an ideally comfortable place between the huge gnarled roots, and had no desire to resettle. His back was against the trunk, and his dark tranquil eyes rested with equal ease and serenity on something cradled in his hand. But what was truly fantastic was his hair—incredible curling black masses of it flowing all over the tree bark down his back and over his shoulders—though mostly dry, was beaded with a million perfect silver orbs of rain, still and clear.

  As the children came closer, his right hand drew a silver needle smoothly up from what he held in his left. They could see, secured carefully between his thumb and index finger, a little black and yellow wing, spread like a tiny painted oriental fan. Leif moved in to see what it was. He cocked his head to the side a bit. “What do you have?” he asked.

  “A bird,” he said.

  “What kind of bird?” asked Persephone, leaning forward to see. He tipped his hand a bit and showed them the bird. It fit perfectly in the palm of his hand, lying on its back. It was mostly soft golden-gray with black and yellow wing-feathers and a black cap. Its cheeks were white and its face was deep scarlet. The eyes, with lids of fine gray velvet, were crumpled shut.

  “It’s a goldfinch,” said Ember.

  “What happened to it?” asked Leif.

  “It flew against the glass,” said the youth, pushing aside the down on its still breast with the tip of his finger. He inserted the needle into the broken flesh and drew it together like a curtain with a hair of thread. The children watched his progress for a few minutes while the storm raged over the pasturelands.

  “You have to be so careful,” Leif observed at length.

  “That’s true,” he said.

  “Did it break when it hit the glass?”

  “Yes. Inside.”

  “When did it happen?” asked Persephone.

  “This morning, just after the sun came up.”

  “How long have you been working?” asked Ember.

  “Since then.”

  “It’s hard?” Leif looked up at the boy’s face.

  “Yes.”

  There was another pause while the silver needle flashed in the rainy light and the wind moaned in the oaks. The girls came and leaned against the tree on either side of him, watching, silent. Leif licked his lips and leaned over the bird for a second when the young man paused in his stitching. His sad eyes combed the soft rumpled down. “Can I touch it?” he asked.

  “Be gentle.” He held it out to him. The wind lightly played with the tiny body, making the wings tremble with the memory of flight. Leif reached out, touching the delicate crown with one finger he could barely feel the soft feathers, but he could feel the hardness of the little skull, like a seashell.

  He lifted it to Persephone and then Ember to let them stroke it. They caressed the feathers, careful to avoid the threaded rift in the downy chest. The wind whistled in the high branches, like phantom birds calling back to the physical world. Now and then a heavy drop of accumulated rain fell through the dark canopy and burst on the mossy ground nearby. But the storm couldn’t come in. Under the tree was a tabernacle of calm.

  The point of the needle slipped through again, and another quarter centimeter of the cold bloody opening vanished under the cloudy feathers. “Isn’t there a faster way?” asked Persephone. “Does it get too boring if you have to work so long?”

  “It’s alright.”

  “Why are you doing it?” asked Ember, at last.

  He smiled. “Birds like to fly. I like to hear them singing in the woods when the rain gets quiet. They need to sing and raise young and gather together to fly south when the winter comes. And besides, the sky is empty without them.”

  “But this is just one bird,” said Ember. “There are thousands of them.”

  He let his hand drop to his lap and looked down at the dead bird. “But…this is one of them.”

  For a minute they were quiet. The boy rearranged the goldfinch’s wing so one of the feathers that was being roughed by his palm would lie smooth. He lifted the needle again and pricked it through the pale gray flesh. The thread wove to-and-fro until, finally, the bird was whole.

  The youth knotted the thread and snipped it between his teeth. He drove the needle into the root of the oak and gently stroked the bird’s wings to fold them against its sides. Then he turned it over on its belly, straightening the limp neck so that the head faced outward. Covering it with his other hand, he got to his feet. “Let me show you something. Come out into the field. I can make it fly again.”

  So the children followed him out into the pastureland. The wind had died down, and the rain fell in straight chains on the ocean. They followed him across the sodden turf up to the top of the hill. The world radiated from that hill as if from the hub of a wheel. The dark blotchy sky looked on.

  The boy’s profuse black hair billowed over his shoulder as the wind rushed breathily against their backs. He lifted his hand, uncovering the bird in his palm. The children watched. It was still lifeless. The clawed feet curled weakly underneath, and all the joints slack. He stroked its back with two fingers, flicking shattered raindrops of the feathers. Then he looked out across the stormy world.

  “Can it fly in the rain?” asked Leif.

  “Of course it can,” said Persephone.

  “Will the stiches hurt when it flaps its wings?” asked Ember, looking from the dead bird to the young man’s face. “They won’t hurt, will they?”

  “It will never feel it.” And he blew across the bird’s back. In a flurry of life and bursting energy, the wings flashed out and the limp body went taught, leaping from his hand and out into the air—into the sky.

  A brilliant dash of painted feathers, the goldfinch snapped its wings open and shut, bounding across the pastureland, through the rain and dancing foliage. Away it went into the darkness of the woods. The children watched it out of sight.

  The three looked back to find they were alone in the rolling pastureland. High overhead, thunder warned that the storm wasn’t over. There was a flicker of lightning over the sea. Ember sighed. “We should go home.”

  The children melted into the shadows and whispers of the woodland, leaving the fields to the frolicking reckless wind, and the forest to the dying rain. As the next cell of the storm advanced in from the sea, there was a hush, and in the hush, dark thickets were still.

  And in the still, dripping thickets, a single goldfinch began to sing.  

Categories
announcements Art

The First Chapter of Dronefall is Now a Comic!

I’m a novelist—most of you guys know that. I’ve studied and practiced that particular mode of storytelling for around 15 years now. That creates a lot of habits and expectations when I sit down to work on a story.

But I’ve been thinking about branching out into comics for a long time. And it was while I was working on thinking up an idea for a newsletter freebie that I decided to finally commit to finishing a project. That project was “A Reason to Run: the comic.”

The idea was, I wanted to give my readers a view of my story they couldn’t get just from reading my books. I set my sights on the first chapter of the first book of the Dronefall Series. I wanted to adapt it to the comic medium. But I really had no idea how I was going to do that.

How Do You Adapt Novel Text To Comics?

Of course, this is what I asked Google—actually, I asked Pinterest first, because I typically do, but when I didn’t find what I needed there, I took it to Google. And guess what? I also didn’t find a lot there.

So, is this not something people do? Clearly, they do it—novels do occasionally get graphic novel adaptations, after all. But I was able to find very little guidance on how to do it online. And so, I realized I was going to have to log off and use my own brain.

That’s a good thing to do sometimes. Kids, you don’t need people on the internet to do all your thinking for you. God created you with a brain that can think on its own. Sometimes you have to step away from other voices and remember you can figure things out for yourself. It’s actually one of the best things you can do for your creativity.

But, having said all that, I thought it was too bad there were hardly any tips for how to do this on the internet. So, I’m going to share my insights with you. Read on.

My Process

Being an extremely visual writer who for some reason always knows exactly what compass-point everything in a given scene is facing, I had a lot of very strong imagery in my head already. This process would probably be a lot longer if you needed to make a lot of character and setting design decisions before you started. I dived straight in without writing out a script or anything. I just started story-boarding the whole thing shot-by-shot like a movie.

Don’t do it this way.

It was getting really long and tedious.  I was many pages into my thumbnailing when it occurred to me that comics are not films. So, that’s my first tip.

Tip #1 Comics are NOT Film Storyboards

Comics are their own medium. It’s possible to use way too many panels to show an action. It can actually make the action more confusing. I also didn’t want to make this a 30-page project. This was my first time trying to complete a comic for public consumption. I wanted it to be manageable.

So, I scrapped the thumbnails and started rethinking things. I needed to think about what parts on this first chapter of Dronefall One actually needed to be communicated. What could I make clear? What could I get a casual reader interested in without a lot of exposition?

I ended up selecting two passages of text that would end up appearing on the pages. One was that iconic intro about the Blindworm and train-jumping. The other was the conversation my MC Halcyon and her friend Reveille have as Halcyon is making a run for it. Off of that, I could build my pages.

Tip #2 Draw your thumbnails—worry about page layout later

Now that I had the text to use as a framework, I started drawing new thumbnails. At first, they were just a string of rectangle panels. I didn’t bother thinking about layouts and different panel shapes or sizes until I knew what panels I actually needed to tell my story.

By rethinking my thumbnails in a much less play-by-play progression, I flew through the thumbnailing process and was ready to move on to page layouts. 

Tip #3 Decide how many pages you want to draw

I managed to condense the whole of chapter one into eight pages. I was able to guesstimate the number by knowing about how many panels I would probably be able to fit on a page, and then starting to mark out potential page-breaks in the thumbnail sketches.

Staying flexible at this stage is helpful. None of the panels were set in stone yet. A lot would shift around and evolve as I got into sketching my tentative layouts. I ended up dropping and combining a lot of panels. I wanted to stay sensitive to readability and composition in the sketching phase.

Tip #4 Stay noncommittal in the early stages

Comic art is more than just a string of pretty pictures. It’s about telling a story.

Once I was satisfied with the layouts, the scary part began. This was also the point where I realized I was going to do the whole comic in traditional media—also a scary decision. I went out and bought the biggest pad of Bristol board I could find. I don’t know a lot about comics, but I do know you’re supposed to work much larger than your print-size. And with all the pictures within pictures in the medium, I knew I would still be getting into some pretty small details if I wasn’t careful.

Tip #5 Work LARGE

The original pages of this comic are 17inx14in (43.18cm x 35.56cm) and I almost wished they were bigger. Still, working even on that scale has its challenges. If you’re not an artist, you might not realize how distorted a large page is when you’re sitting at a desk. I had to stand up and look straight down at it to keep it from getting too skewed. An easel or drawing-board might have been helpful.

Tip #6 Use a medium you’re comfortable with for your first comic

Kind of a bonus tip. Also, I didn’t do this.

I opted to use alcohol markers for this project. For the most part, I like how it turned out, but I felt a little panicky the whole time I was using them. They interacted strangely with graphite. (Which I used to sketch the pages out before inking with alcohol-based fine-liners.) They each blended a little differently. And boy, I sure used some of them up. We took a couple of emergency trips to Hobby Lobby to replenish them over the two weeks I was working on this.

I was using the store-brand ones, luckily. But you know they still weren’t cheap. That’s the thing about alcohol markers.

Anyway. Once I had inked and colored all eight pages and a cover, I photographed them with my phone, cropped and adjusted them, and popped them into Canva where I added the text. I could have hand-lettered the text on the physical pages, but I didn’t. Because I kinda forgot. I got in the zone.

Tip #7 Leave room for your text boxes/speech bubbles

Mine got a little crowded. This probably takes some practice to get right. But in the end, I think I ended up with a totally readable, and even kind of cool-looking comic that gives my readers an exciting taste of the world of Dronefall. That was my goal.

I hope you got something out of this behind-the-scenes look at my comic-making process. I’m obviously a complete newbie, but I wanted to share my experience with other complete newbies out there who might be just as lost as I was at the beginning of the process. If you have any questions for me, please drop them in the comments, and I’ll be sure to answer them as best I can.

Want to see the full comic?

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Surprise Project Reveal!

Well, I’ve been working obsessively again. I got an idea a while back and have been refining it for a long time in my head, but finally, two weeks ago, I started working on actually creating it.

I wanted to make something cool for my future email subscribers. Since I don’t use social media, my email list has become a top priority. I wanted to give you something you couldn’t find anywhere else—something unique to me and my skillset as well as my story-world. So, I started scheming up what I think is a perfect gift for readers or potential readers of the Dronefall Series.

Has the pop-up interrupted me yet? Yep, that’s it. I created a comic adaptation for the first chapter of the first book in the Dronefall Series.

Read the Comic

I’ve got a dedicated landing page for it, too. If you check the menu and click on “Free Comic” it will take you there. The comic is 8 pages long (plus a cover and a bonus page at the end.) I drew the whole thing traditionally using alcohol markers in a manga-like grayscale. I’m still gun-shy about full-color. Alcohol markers are a new medium for me.

I’m going to do a post on my whole process for adapting and creating the comic, so you’ll get more details on that, shortly. In the meantime, I’m really excited to share this rather unusual teaser with you. I’m a visual person, and I’ve always had very strong imagery in my head while writing Dronefall. This is a chance for you to get a uniquely visual introduction to my story in a way few authors could replicate. My lifelong love of sequential art made me do it. You’re welcome. *rubs migraine-glitter out of eyes*

So, that was kind of intense. Especially coming right off finishing the Dronefall One rewrite. I finished that, by the way. I want to get it re-released toward the end of July. Another reason you need to subscribe to my newsletter is so you can know what’s going on with my crazy release schedule this summer. Book Five will be out soon as well. Six…hopefully early Fall.

What about the blog?

Where does it come in in the middle of all this chaos? I’ve got a few older unreleased stories I want to serialize—two of which I guess aren’t really unreleased. I’m going to post the two stories that were formerly exclusive to the “Secret Library,” which I took down in favor of something more streamlined. There’s another one, too. That should keep the blog active until Dronefall One relaunches.

Anyway, thanks for waiting for me! I hope you enjoy the comic. And the subsequent newsletter. I’m putting a lot of effort into making my emails actually enjoyable to read. None of this sales-pitch after sales-pitch stuff a lot of email lists do. I’ll send you art and pictures and stuff. It will be worth it, I promise.

P.S. Some of you faithful readers might wonder what’s going to happen to my Dreamscape, IN serial here on the blog. Well, I realized it was developing more of a plot than I wanted it to have. I think that was because I was trying to make it a regular series on a regular posting schedule. It’s supposed to be all vibes with multiple diffuse plot-threads that break off and pick up and fade out again. So, I’m going to try dropping an episode whenever I feel like it without warning instead.

Anyway.